From the introduction at the beginning, it can be seen that the two screenwriters are Sherlock Holmes' diehard fans. They have reached an outrageous level about the details of the book, and there are too many details about the first three seasons. reflected in the big movie.
The reasoning of the film is actually quite weak. It may be that the screenwriters are tired of playing in the TV series. They are playing nostalgia, Victorian infatuation, and a collection of various easter eggs. An explanation for fans.
Sherlock's Thinking Palace is a bit similar to several dreams in Inception, and this is what the screenwriters and viewers play. This is the most interesting part of this setting. The constant transition between real and time travel, I love this.
Now, pull out the TV show and brush it again.
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