Compared with live-action film and television, animation can better show the screenwriter's ideas and will not be limited by acting skills, special effects and scenes.
In Tom Moore's films, shadows cannot always be ignored. Ashling turned the cat into a mist, but the shadow is still a cat, just as Saoirse's shadow in "Song of the Sea" is a seal, and the shadow is a reflection of reality and essence. The powerful externalized image shows that Dean Kara is the most intimidating force, but his back is always hunched, and his face has never been happy. It can be seen that he is under a lot of pressure.
A line that comes up many times: Don't be afraid of what you imagine. Imagination knows no bounds, so the imagined may be scarier than the real. Not thinking about tomorrow's worries may be a warning to refrain from unnecessary imagination.
Brandon is a brave and trustworthy young man who is not afraid of the dark, and bravely takes the Eye of Krom and turns the darkness into light. He was not afraid of the Vikings, and brought out the Eye of Krom against them. Regarding his bravery, it may be partly derived from "newborn calves are not afraid of tigers".
About the city walls. In ancient times, it was mentioned in the way of water control that water control depends on sparse rather than blockage. If you want to prevent the intrusion of pagan ideas, it is not enough to build a high wall. Thought is intangible, and communication can rely on both tangible and intangible. Through the music can pass through the high wall. Brother Itami said it well, the scriptures were not written to hide in high walls, but to spread to the world and turn darkness into light.
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