I can talk to you about "The Beauty of the Flower", this time for 500 euros. The audience's attitude is similar to that of the heroine's mother (Sylvie), after she said "C'est bon. (I'm okay)" (the younger brother asked "Is she speaking to you with this attitude?"), they went to the pre-show. Georges asks: Do you receive a lot of customers? It's like, I love you. We are generally accustomed to claiming the state between the match and the lack of it. Ou Rong's sparks always lit the whole match. It's burning and dangerous. But is it dangerous if it has already been ignited? He discusses within the framework of identified dangers. It's just that these frameworks are dangerous to us because we're unfamiliar (or too familiar). After Georges died, it became unfamiliar. And my mother doesn't seem to know all about it. Following the dazed expression of the mother, the audience committed themselves to a dazed follower of the plot. The fall of the audience is also an opportunity for the audience to understand the mother's attitude. Once the heroine is associated with "murder" ("death" is given, of course), it is as if she is bound with unforgiveness to her expérience. The collapse of confidence in the mother's opening film comes from the gap between the two generations' understanding of "dangerous relationships". Isabelle crosses the "dangerous" margin in the range of mother's meaning (although it does not mean more dangerous, but the object domain is different). Isabelle looked directly at the psychiatrist: 70 euros, I will pay. Why not let Peter send me? The dangerous person is me. You remind me of one of my clients, the way she looked at her stepfather and her movements. We always suspect that we are neurotic? Ou Rong set fire to the peripheral nerves. As if the nerves were the leads, burning and quiet. C'est un jeu, avec un autre. (One game, and another.) -Sale de quoi (where is dirty)? -Because he died. Which lens is cooler? Walk into those hotel rooms? Or a kiss with a boy of the same age in front of the couple's lock on the Pont des Arts (Pont des Arts) on the Seine? The latter's color was too cold to be realistic, a violation that Ou Rong himself couldn't bear to look directly at. There are no precocious people, only different people. Alex: What are you reading? Isabelle: Don't bother me. Let me read a book in peace by myself. - You don't understand, you're still a virgin. - No, I've read a lot of articles and the stories are all the same. The book she read in the film, "Dangerous Relations", is a French tradition, and the French are not serious and serious. Because if you take it seriously, you will become the heroine of "Female Addict". We can talk again, next time a bag of chocolates.
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