The first half of the film is passionate, and the second half sublimates the theme. The heroine is under the age of eighteen but full of infinite yearning for sex. After using her ex-boyfriend to experience it for the first time, she rushed to the point of no return for the call girl. It seems that lust and money are at work, but in fact, the heroine wants to find the long-lost fatherly love in those old men's clients. The heroine found the existence of fatherly love in an old client, but the sudden death of the old client brought the current indulgence life to an abrupt end. Women are more obsessed with emotions than men are obsessed with carnal desires. The gender difference is probably the same. The whole film does not rely on passion scenes to please the audience. From personal experience, the sex scenes are very real but not lost in beauty and temptation. The Lord's stepfather said "she has this potential". When the trial was over, I took out my old mobile phone, and there was an endless stream of text messages from clients. The spring of seventeen had just begun. As the poem in the film says: On n'est pas sérieux quand on a dix-sept ans. At seventeen we were young and frivolous And soda Des cafés tapageurs aux lustres éclatants ! On va sous les tilleuls verts de la promenade, a bustling café with bright lights. We walked on the path under the linden tree, Les tilleuls sentent bon dans les bons soirs de juin! The scent of the linden tree on a beautiful June evening is enchanting With noise - the city is not far from A des parfums de vigne et des parfums de bière... and the smell of vineyards and beer. . . Ce soir-là.. ., - vous rentrez aux cafés éclatants, that night. . . You are back again at the gorgeous café Vous demandez des bocks ou de la limonade... Ordered beer and soda - On n'est pas sérieux quand on a dix-sept ans - At seventeen we were young and frivolous Et qu'on a des tilleuls verts sur la promenade. Shaded linden trees beside the promenade
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