Recently, the conflict in the Ukrainian incident has intensified. By chance, I thought of "The Assassination of the First Emperor", which I had never watched, and I recalled some pictures of "Qin Song" intermittently, so I found "Qin Song" and watched it, and then this "Shadow Warrior" .
The shadow is a human being, but not a human being. The growth of the shadow and his changes add a sense of humanistic realism to the mechanical rules of the empire. He is the shadow, the cogwheel of the empire, and a human being. Ying Zheng in Shi Huangdi's assassination also made me feel this way, they were all being urged to go, and they couldn't help themselves. When the shadow decides to play the protagonist, the shadow is already dead; but the shadow seems to be alive again, becoming the protagonist, becoming a symbol, which is contradictory again. The shadow is moved by the protagonist and is willing to be the shadow, but the shadow does not want to be completely It's the shadow, and the shadow wants to be himself. Use the people around you to speak the shadow's heart, "it is difficult to live as another person", "what will the shadow think after the completion of the 3-year task", and the end also tells us that the shadow has become a human being, a human being Shadow is made.
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