Galtsef was a very unfortunate man. War, responsibility, life and death, and others consume themselves for hopeless feelings, and finally personally ruin their budding friendship and love. In this era of peace and prosperity in the world, all the good lives enjoyed by thousands of young students are stingy to give to young people like him. But he is clearly so excellent, with beauty, talent, and gentle character, but in the end, everything was lost, and only a body full of scars remained. His heart had already died in the war like Helin, Ivan, and former friends, but his body was still tormented in this world. He has nothing but life. But Martha was a really happy girl. Being loved by all the people around you, and love alone is not enough, the most rare thing is comprehensive care. Herring didn't hurt her on a whim, and Galtsef kept her away from the battlefield. She climbed up the treetops like a real little girl, the top of the narrow trench was a dreamlike dazzling heartbeat, dancing waltzes in circles in the woods, and there were classmates who were fascinated by her in the distance... But the people around her The beauty and love that have been taken care of with all their hearts are eventually torn apart by reality. She finally left, this station by the woods and the swamp, her birch hut, and those dreamy people... She looked at the three people who walked into the depths of the woods, the shyness that she could not hide and Heartbroken, but who does she love? I think any girl in her situation would have a hard time choosing. "Please tell Masha, don't cross the river..." But this kind of heavy care and love finally sent Masha to the other side of the war, which is another kind of silence and sadness. She wanted to be involved, but ended up being an outsider, and those confidants were scattered everywhere. She is brave after all and is willing to turn herself into a tree in the birch forest, but who would have thought that in the dark and dark night, the splendor of the bright moon roaming the world would care for this place - He Lin is like the bright moon, which is just like the bright moon. Light up her branches. At that moment, the moonlight blew on the treetops like rain, and the two snuggled together and could not be separated, but in a blink of an eye, a dark cloud came, and the moonlight dissipated in an instant. breeze. The breezy Galtseff passed through the sparsely sparse branches, with a sad tenderness and a soothing consolation, which could not be seen or grasped, just like a clear water flowing through a filter. In the end, only the sound of the wind shaking the branches and leaves was left, like a sigh. They are like travelers in time. In this divided space, the life of our little protagonist Ivan has been cut into parallel sections, and these sections are lined up in a row in the unknown station. . Ivan said that his spirit was on the verge of collapse, and Herring also said to Galtsef, "Let's go see a doctor after the war." The shadows of the two of them, the same movements, the similar appearance of Martha and her sister, everything is an amazing coincidence-maybe Galtseff is the grown-up young Ivan, and Martha is the grown-up sister . It's just that they had something Ivan didn't have, such as Galtsev's fluent German, his records and gramophone, a box full of various books, and rubbings of Dürer's engravings. ; and Martha also mentioned the "enrollment exam", and she was able to calmly and He Lin talked about the anecdotes of painters and writers - they were all well educated and had a happy childhood. To say that Ivan will become a person like Herlin when he enters middle age is actually very unbelievable, but Ivan is so close and good to him, and he is relatively unfamiliar with Galtseff. In some flashy clips, the silhouettes of the two of them overlapped strangely. For example, the colonel commented that Herring "needs to be educated." From this point of view, will the young Ivan, who has been running around in the war all day long, and Ivan who voluntarily gave up the opportunity to go to school, will become the future learned Galtsef? As a result, these three people form a delicate balance. In the empty hall filled with rubbish at the end, only Galtseff was left alone. As the war draws to a close, the fragmented time and space have regained their original order, and the parallel multi-stage identities have all retired from the stage after all, leaving only the most reasonable one - Ivan's childhood has ended, he is no longer is a child. He has grown up, has become a youth, and has not yet entered middle age, and still has a lot of profligate time. Ivan and Helin, who had quietly left the stage in the long river of time and space, left the young Gartsef alone in this desolate world. Standing alone by the window, he fantasized about a conversation with He Lin, but he could no longer hear his own response from afar. Everyone on the one-dimensional time axis is so lonely, no matter what happened in the past or not, there is no possibility of contact. They seem to be saying to Galtsef: continue to look at the world for us... Because at a certain age, it will disappear, and it will be replaced by the next stage of itself. This finally made people understand why Galtsef had to quarrel with Herring. How could He Lin not know that his approach was to push Ivan further into the abyss, and he had already recognized the cruel reality, and then had skipped the stage of embarrassment and turned to compromise with the practicality of reality - but The other party was simply ignorant. This simple Galtserf has to go through this series all over again. But for Herring, he no longer had the patience to guide and wait, because he knew that in the end, Galtsef would always compromise. So who is more short-sighted? Herring is out of reality, and Galtseff is out of ideal, but Herring was forced to turn from ideal to reality. Are idealized people any good? It's good. Whether it's Galtsef or Martha, their resident temporarily far away from the war is like a paradise. They live in it, and they all come out so clean. In this world where the ocean is flowing, the products of the highest form of civilization at present are so beautiful and so fragile, people do not hesitate to abandon a part of civilization, just to protect this fragile beauty. But those who have been abandoned are so deplorable: such as Herring, such as the colonel, such as young Ivan. In this way, He Lin's anger was not a form of self-pity. And Galtsef will eventually "fall", just like becoming Herring. Don't be surprised, he always turns out like that. It should not be surprising that Ivan, who was pure and flawless in his youth, became the Gartsef of his youth, and then became Helin, who was deeply affected by the world. After all, this is a universal law, an unstoppable tragedy that is happening every day. They are all men who defend their families and the country, and they always have to move forward. In the war-torn purgatory on earth, all fragile beauty will always fade away. So who is more short-sighted? Herring is out of reality, and Galtseff is out of ideal, but Herring was forced to turn from ideal to reality. Are idealized people any good? It's good. Whether it's Galtsef or Martha, their resident temporarily far away from the war is like a paradise. They live in it, and they all come out so clean. In this world where the ocean is flowing, the products of the highest form of civilization at present are so beautiful and so fragile, people do not hesitate to abandon a part of civilization, just to protect this fragile beauty. But those who have been abandoned are so deplorable: such as Herring, such as the colonel, such as young Ivan. In this way, He Lin's anger was not a form of self-pity. And Galtsef will eventually "fall", just like becoming Herring. Don't be surprised, he always turns out like that. It should not be surprising that Ivan, who was pure and flawless in his youth, became the Gartsef of his youth, and then became Helin, who was deeply affected by the world. After all, this is a universal law, an unstoppable tragedy that is happening every day. They are all men who defend their families and the country, and they always have to move forward. In the war-torn purgatory on earth, all fragile beauty will always fade away. So who is more short-sighted? Herring is out of reality, and Galtseff is out of ideal, but Herring was forced to turn from ideal to reality. Are idealized people any good? It's good. Whether it's Galtsef or Martha, their resident temporarily far away from the war is like a paradise. They live in it, and they all come out so clean. In this world where the ocean is flowing, the products of the highest form of civilization at present are so beautiful and so fragile, people do not hesitate to abandon a part of civilization, just to protect this fragile beauty. But those who have been abandoned are so deplorable: such as Herring, such as the colonel, such as young Ivan. In this way, He Lin's anger was not a form of self-pity. And Galtsef will eventually "fall", just like becoming Herring. Don't be surprised, he always turns out like that. It should not be surprising that Ivan, who was pure and flawless in his youth, became the Gartsef of his youth, and then became Helin, who was deeply affected by the world. After all, this is a universal law, an unstoppable tragedy that is happening every day. They are all men who defend their families and the country, and they always have to move forward. In the war-torn purgatory on earth, all fragile beauty will always fade away.
——So even though Herlin’s behavior was so naive when he was dating Martha, when he said goodbye to Martha, he sincerely stretched out his hand, and that appearance still had an afterimage of his past innocence.
"When there is no one in the sun, who sees the golden thread making the day clear? When the heartbroken is flying, the green leaves become overcast, nothing is happening, and every one is thin. It is not the east wind that is chasing you, and it will blow away a little spring wrinkle between the eyebrows." They Tell Martha not to cross the river; they tell Martha not to fall in love with the young man. So, Martha is the last hope for the two of them. After all, people have their own roles to play - part of the charge to defend the territory, and the other part to protect the beauty of the splendid civilization from extinction. Even such a move ruined the happiness of the three of them at the same time. So in the end, she did not become a standing tree, more like tree seeds and grass seeds, drifting into the distance in the wind. Then submerged by the river, in the hustle and bustle of the crowd and the endless afterglow of time, I spent my lonely youth.
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PS. Several main characters in the movie, Ivan, my sister, Martha, Herring, and Galtseff are all so bright and beautiful that some people even questioned that they should not choose such delicate appearances for works of this subject matter. actor. I think, of course, this is the director's preference, but more importantly, their beauty is meaningful. If the play does not assume such a role, it will not deliberately choose beautiful actors to perform. The tragedy of the whole story is not just the loss of life, it is even more sad that the beauty is destroyed again and again (in various physical senses). Those scars appeared on their faces, and they were also engraved on the hearts of the audience. What is the matter of death, let alone how the people who survived should become haggard and crazy step by step. This is not mentioned in the movie, but with such an ending, when one thinks of Galtsev's future, whether his young life as a young man can come to middle age smoothly, whether he becomes He Lin, or his soul is dissipated. , once you think about it, it just breaks your heart.
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