The fate of a child linked together. The girl who left home, the uncle alcoholic, the uncle shemale, all were redeemed because of this child.
Jin Min is a master of the combination of humanistic concern and realism. In his story, you can feel the warmth, probably because he loves the world, because he loves the world, so he wants to heal the hardships and injustices in life in the movie.
I think Jin Min's storyboards and transitions have reached the level of perfection, and I really can't see any flaws. The sets and backgrounds in the movie are exactly the same as reality, and there is no sense of incongruity to replace the background in the movie with reality, because the master observes reality in a subtle way.
The portrayal of each character is vivid and lifelike. When I look at the characters here, it's like looking at life. I like Jin Min's films, and I like to think about life through his films. A few days ago, I saw an interview with a director from a long time ago. I think that director is a director with a sense of social responsibility, and director Jin Min, I think he is too.
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