In terms of music selection, starting from a single violin solo at first, gradually began to have ensemble, slowly and moderately introduced the cello in the ups and downs of the chapter, and introduced the pouring water like the piano when the apprenticeship experience was introduced in the later stage, and emotionally just entered the state . In the last twenty minutes of the documentary, BGM began to introduce the concerto mode, and the layers of string music were gradually enriched, interspersed with the narration of various characters, and the movement was matched with the close-up of the movements of the sushi, and began to enter the ending atmosphere. However, some deliberate traces can still be seen at the end of the film, and the feeling of moving closer to animal protection documentaries is lingering. Is it really necessary to raise the style to appear more profound?
The overall idea and loop of the film are very clear, and it feels very complete. Reuniting with my childhood classmates at an old age seems to have returned to the original starting point, but everything is completely different from the original green years... However, People can't stop, the times will push you forward. Writing here, I can't help but think of the loss and uncertainty about the future in Ah Xian's eyes when he lamented the word "era" in "The Cooking Fairy". Finally, in the sound of the cello of Johann Sebastian Bach: "Suite for Cello Solo No.1 in G major, BWV1007" "I.Prelude", Erlang is riding the train and keeps moving forward...
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