The film covers the service industry, industry, white-collar and blue-collar life of modern life, and the fast-forwarding through the lens highlights the impetuousness of today's fast-paced life. Through the self-defeating of a golden collar at his desk, he satirizes the transgender abnormality of today's high-rise life.
This film praises the kindness and simplicity of nature, which can be seen from the author's obsession with the eyes of the underclass people of all identities.
This film criticizes the destruction of human nature and freedom by the description of the factory life in a labor-rich country represented by China.
This film describes all aspects of the human food industry, which made me feel more and more unfamiliar with traditional food agriculture. The highly mechanized animal husbandry and poultry industry made me think that these foods on the table are just engine oil for parts. Through the description of the porn industry represented by Japan, one of people's nature has also become a procedure on the assembly line of life.
It shows us different worlds by describing the lives of people of various faiths and regions.
The title of this film is Samsara, which should be the author's greatest feeling in the filming. The reincarnation of heaven, human beings go in and out of the tunnel of reincarnation, and the emotions of countless individuals represent a culture in reincarnation. We witness these cultures on our travels and hope to document this cycle in an unworldly way. We are also a culture, but we should be thankful that this culture is only a minority.
Reincarnation is also eternal.
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