Keanu Reeves' "The Clone" is unassuming and innovative in that it is far more reasonable and more refined than his own company's "Space Traveler". This should not be a TV/film thinking like JJ Abrams or [Black Mirror] but a triumph of narrative subject and angle setting. What used to be big corporations and evil scientists turned into garage entrepreneurs with all sorts of portable devices as if people could actually be cloned out of a garage or basement. If Japan shoots in the same way, the cloned child might be able to crawl out of the phone screen. Keanu Reeves has both the characteristics of a classic Hollywood actor and a new century otaku, regardless of whether he is fat or not De's actors are more prominent when they play against each other. Levi's own thoughts about his relatives may be the biggest driving force of the whole film or the whole project. Instead of getting out of control, it has achieved a unique temperament. [Three Updates] Li Liming's character is profiled, you can hardly imagine that if there is no supporting actor's discovery perspective, his and his wife's scenes can fill one-third of the length of the film. The two-phase comparison can fully show the [Clone] drama. The suspense points of similar themes in the past have been slightly opened, but a systematic whole can be laid out. Of course, ethically speaking, this film is more like an imaginary story woven in the mind of a cult fan with a filter from the perspective of the leader.
View more about Replicas reviews
