After watching it, I have two impressions: Director Niu is always a bull; Mandarin dubbing also has his benefits!
Watching "Arthur" is gradually entering the state. In particular, the resistance to the Mandarin dubbing was too strong, and even the initial focus of watching the film was focused on the harshness of the voice actors' voices, so much so that I almost went to see Zhou Gong, let alone experience the little actor Freddie Hai. Mo's superb performance, rich acting experience ("Charlie's Chocolate Factory") makes Haimo's performance remarkable, and shows the sophistication and maturity of acting beyond his actual age, such as the one before the birthday cake. Full of tears, such as the innocence and cleverness shown in the dialogue with adults... It's just that the director's handling of love by 10-year-old children is a little confusing, although 10 years old is equivalent to 1000 years old in the mini kingdom, but the mind is not enough Precocious so far, but despite this, Haimo's emotional performance is also quite rich and in place, which further highlights his good performance.
As Luc Besson said, he attributed the two major lucks in his life to finding the 11-year-old Natalie Bozeman to film "The Killer Is Not Too Cold", and the age he met today Similar to Freddie Highmore shooting "Arthur and the Minimo Kingdom".
From the time Arthur entered the mini-kingdom, I had no sleepiness at all. Maybe in the Mosquito War, the handling of the fighter jets’ flying pictures was suspected of breaking the Harry Potter bridge. If I say a little bit, then in the following appreciation, I was completely attracted and immersed in it...
Another part of the film The big highlight is that Princess Selena, despite being animated, is absolutely expressive. The meticulous animation processing makes Selina's character full and round, and the character itself is also my favorite, brave, smart, decisive but gentle.
I don't know much about animation technology, but just from the fidelity of the picture, the delicate processing of details, and the vividness of the light, a layman like me can guess the difficulty, complexity and superb technology. People must be very depressed. Thinking about it now, the twinkling stars in the sky, the fragments of sunlight dancing in the sky, the crystal-clear red flower house, and the cute characters... Luc Besson is creating a dreamlike mini-kingdom and world. Even a small inconspicuous elf is worth it!
When it comes to dubbing in Mandarin, I always feel that foreign films cannot be dubbed in Mandarin, otherwise it will not be authentic, or even nondescript. But I watched "Arthur" yesterday, and the biggest feeling about the Mandarin dubbing is that it also has its benefits, because it can be more Chinese in language expression, more authentic in terms of words and keep pace with the times, and therefore easier. Form emotional resonance and integrate into it in appreciation, otherwise there will always be more or less emotional margins and blank areas. For example, "this is justified", such as "father", such as "Cantonese", such as authentic language expressions that only Chinese people can understand... These all help to integrate into the appreciation of the film.
View more about Arthur and the Invisibles reviews
