I seriously thought about why I never read "The City Where Only I Don't Exist" twice. And the answer to thinking is probably that when chasing, it gave me a perfect experience. In the process of appreciating this work, everything I felt in my heart, I only wish to engrave it in the moment I first saw it. Maybe I'm a little scared, afraid that if I revisit it again, my feelings and moods when I rewatch it will cover up the amazingness of it when I first saw it. I probably don't want its place in my heart to change. Even though it may pass over time, those time-watching memories will linger in the back of the mind. First of all, the ubiquitous atmosphere of terror and suspense in this animation really gave me a great shock at the time. Eighteen years ago, in an undeveloped industrial town, the sky was gray, and the towering chimneys continued to emit exhaust gas. The winter snow turns the earth into a pale white. Indifference and chills surround the entire town. The twenty-nine-year-old protagonist, Fujinuma Satoru, traveled back to when he was a child, and wanted to stop what happened and have a great impact on his future life, a serial child abduction case. The murderer is in the dark, and he is in the light, and his side is just a group of children. It is no longer useless to give up all the previous achievements if you are not careful, and it is not surprising that it even has a more serious impact. Such a desperate environment. Particularly impressive was the abandoned bus. Kayo, who hid in an abandoned bus under Satoru's arrangement, hid inside until the middle of the night when he heard the door being pushed from outside. Uninvited guests and Jiadai are only one curtain apart... Then he kicked the box outside, and Kayo frantically covered his mouth to keep him from calling out...until the uninvited guest finally left. Later we learned that the one who pushed the door was the murderer. And this bus, which was inadvertently used as a hiding spot, turned out to be a storage room for the murderer's crimes! It is conceivable what the consequences will be if any clues of Jiadai are discovered by the murderer. I remember when I saw this, I almost suffocated. Here is an example of such a terrifying atmosphere. Such a terrifying atmosphere almost accompanies most of the preceding clips. This also caused me to have a very contradictory mood that I have never had before, and I have never seen it until now. On the one hand, I was extremely anxious to know what was going to happen next, but at the same time, I was so terrified that something terrifying would happen next that would send me into cardiac arrest. Every now and then I look at the progress bar to see how long it will be until the end of the episode. Every time the picture of ed appears, the moment when the dangling heart can finally be put down temporarily, I am all relieved, and I am glad that I can finally rest. Relieve extreme tension. It's not impossible to quit in the middle of each episode, but the attraction of the plot can't make me quit. Every time I click on a new episode, my mood is like being sucked into a huge vortex called fear, unable to extricate myself, so I have to end each episode slowly. But after a little slow down, I will start the next episode without hesitation. It's like dying, probably talking about how I feel when I hit the play button for each episode. Although it sounds a bit funny, I don't think it's an exaggeration to describe it. If it's just an atmosphere of suspense and horror, it's not enough to make me admire this work so much. What really moved me was the warmth I felt from the group of friends and Wu's mother in the icy cold wind. That is enough to resist the warmth of sin and terror. Warm enough to call it "hope" in such an environment. Just like a ray of light that appeared in the boundless darkness, warmth shone on the body, driving away the darkness and cold. I think, this is the light that supports me in watching episode after episode. Satoru and Kadai held hands while looking at the Christmas tree on the top of the mountain under the starlight. When they played together in the children's hall. When Satoru's mother took the note "These are my son's favorite foods" in the bento. Satoru's mother bathed with Kayo and teased her while she was playing. As soon as Satoru and Kayo walked through the door, everyone shouted "Satoru, Hatsuki, happy birthday!". You know, I can't help but cry when I see this. Because it's so warm. This warmth is so addicting. Make people forget the pain, forget the hurt, forget that this sky is still dark, forget the thickness outside the window The snow was still pale. But in fact, the snow in Kayo and everyone's hearts has already melted. That's why I love this work. It makes me believe that there is light in darkness. There is something missing in everyone's heart that needs to be filled. Vacancies need to be filled little by little. The spider silk will hang down and people will be redeemed. Will. Just like what Kadai said, "I, who have always been alone, can also have a family." Just like Satoru, he was finally able to fill the void in his heart. Only the city where I don't exist. It is the dream that Kayo once hated and longed to escape, and the reality that Satoru changes and heals. I can't help thinking, maybe, if, when I don't exist, those friends can think of me and bless me, like a child who asks for donations for Wu's hospitalization fee, like a mother who accompanies them day after day. Then, there will be no regrets in my life. Speaking of which, there are still many points in this work that left a deep impression on me, such as Kadai's little poem "Only a city where I don't exist", such as the first chapter at the beginning of the realization that life in a daze can't be seen. Clear your own confession. More or less there is also some resonance. In short, all these things constituted the high status of this show in my heart, and at the same time, it also became the reason why I did not play it again in the end. Let the memory of that chase be kept in my heart forever. That's why I love this work. It makes me believe that there is light in darkness. There is something missing in everyone's heart that needs to be filled. Vacancies need to be filled little by little. The spider silk will hang down and people will be redeemed. Will. Just like what Kadai said, "I, who have always been alone, can also have a family." Just like Satoru, he was finally able to fill the void in his heart. Only the city where I don't exist. It is the dream that Kayo once hated and longed to escape, and the reality that Satoru changes and heals. I can't help thinking, maybe, if, when I don't exist, those friends can think of me and bless me, like a child who asks for donations for Wu's hospitalization fee, like a mother who accompanies them day after day. Then, there will be no regrets in my life. Speaking of which, there are still many points in this work that left a deep impression on me, such as Kadai's little poem "Only a city where I don't exist", such as the first chapter at the beginning of the realization that life in a daze can't be seen. Clear your own confession. More or less there is also some resonance. In short, all these things constituted the high status of this show in my heart, and at the same time, it also became the reason why I did not play it again in the end. Let the memory of that chase be kept in my heart forever. That's why I love this work. It makes me believe that there is light in darkness. There is something missing in everyone's heart that needs to be filled. Vacancies need to be filled little by little. The spider silk will hang down and people will be redeemed. Will. Just like what Kadai said, "I, who have always been alone, can also have a family." Just like Satoru, he was finally able to fill the void in his heart. Only the city where I don't exist. It is the dream that Kayo once hated and longed to escape, and the reality that Satoru changes and heals. I can't help thinking, maybe, if, when I don't exist, those friends can think of me and bless me, like a child who asks for donations for Wu's hospitalization fee, like a mother who accompanies them day after day. Then, there will be no regrets in my life. Speaking of which, there are still many points in this work that left a deep impression on me, such as Kadai's little poem "Only a city where I don't exist", such as the first chapter at the beginning of the realization that life in a daze can't be seen. Clear your own confession. More or less there is also some resonance. In short, all these things constituted the high status of this show in my heart, and at the same time, it also became the reason why I did not play it again in the end. Let the memory of that chase be kept in my heart forever.
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