Human thinking is often a refutation from others. The male ticket said that he didn't like the male protagonist Li Cang, and he said why the first episode was originally a submissive prince, but at the beginning of the second episode, he suddenly felt the suffering of people's livelihood, but in fact, in my opinion, this is the moving part of the show, and it is also a miniature The rhythm of the play is dictated by the rhythm of the plot, but it does not affect the audience in the slightest, at least according to my understanding. Li Cang was trapped in the deep palace since he was a child. Like his father, he had never been involved in the world, and he had never experienced everything in the world outside the palace walls. He was taught that he could survive only by forbearance, so I don't think this is cowardice. However, in these years of forbearance, he tried his best to explore the world outside the palace, and he kept asking himself what he was doing to become a king. The Confucian letter was his first step in this matter, and he also knew what it meant. The country is troubled by internal and external troubles, and even the king cannot escape the disaster. It takes great courage to survive. On the slope towards Chilüxuan, Li Cang tried his best to lift the poor man's carriage regardless of his own escape, roaring that he would never become a person like the Haiyuan Zhao Clan, and he did hit. At that moment, the fear of Wuyangyang zombies behind him was not as good as the fear of being held hostage by free will. The Haiyuan Zhao Clan was the deepest evil in his heart, and it was just such an opportunity to show his courage.
The character design of the prince Li Cang gives the audience a lot of thinking points. His fragility, kindness, perseverance, dullness, confusion, and inexplicability all successfully substitute you and me, which is a very charming character setting. But the performance of the actors is a matter of opinion.
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