Guy is simply a copy of Tureman. The subject matter of the film is very interesting. It was originally a serious topic that could trigger a lot of thinking, but it is more entertaining for the purpose of a commercial film. Compared with Truman's world, there are also many elements in it, which is probably the era. It has changed, the technology is developed, and you can play whatever you want, and the film gives people a feeling of dazzling special effects. The ending is an alternative failure. The self-awareness of artificial intelligence was originally regarded as a small breakthrough in the framework of solidifying the virtual and real world. Everyone thought that the heroine and Guy would fall in love, but the ending was like a feudal patriarch who finally endured. I can't stop making random points, "I'm just a love letter to you", how nice to say it, it's not that the artificial intelligence that seems to be finally recognized as a living person is suddenly turned back to its original shape, and it's like this. Isn't it a kind of deformed concept of matchmaking in this one? The justice of the three views is so strong that it is outrageous. Just as the boundary between the virtual and the real is blurred, an unshakable hand appears as if it represents the will of God and pushes aside the two that are about to merge into one. One cannot be crossed. Once again, the boundaries of the show are clearly placed in front of the audience: living people should still focus on reality, live in the moment, and love by their side. No matter how realistic the virtual is, how artificial intelligence can be used in the name of human beings is not the right way to stand side by side with real life. Common sense is so, this film does not break away from the constraints of traditional concepts. Moreover, the attitude of the superiors is to call on everyone to be concerned about the predicament of the inferiors, no matter how you look at them, you still feel a little arrogant. There are many details that cannot stand scrutiny and are illogical. Although they know that they are needed by the plot, they will still affect the perception.
ps it would be more fun if Buddy was revealed to be a player in the end
pps has a little detail I like: Buddy took off the holster on his waist when he was robbed at the bank and reunited with Guy at the end. The former is about surrender and surrender, and the latter is about the liberation of freedom. really good comparison
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