The movie is so captivating, dangerously charming, the swaying of it at sea, and the sound of those waves, so atmospheric. Starting with the issue of sex, there is also the issue of the middle class. Then talk about the beginning of love, Polanski is really good at manipulating space, the director put the dancer's real appearance - the bus, shooting her, the background is the street through the glass, the surrounding is clean, if the camera is not cut , I thought she was flying in the air, or just like a dream. This appearance was so good, the ambiguous, charming, and thought-provoking feeling was really good. There is also the carousel scene, which is a wonderful design. Too good at taking space!
Watching them make love, thought the issue of sex would be like Nagisa Oshima's "The World of Senses" or the more recent "Two of Fire"? These love scenes in "Bitter Moon" are very well shot. In fact, there are quite a few movies that involve shooting love scenes. They are awkward, can't let go, have no temperament, only have the temperament of making love, and have no temperament of love. He has this one, especially watch When you shave, Mimi scratches it on purpose, and then licks the blood on the writer's face, and with the soundtrack, the danger is amazing. This one reminds me of Quentin's "Dangerous Relationships", although the two are not the same movie.
The narrative is interspersed on the boat again, and Hugh Grant is so embarrassed to hear the writer say that his intertwining of this sexuality with the issue of middle-class hypocrisy is really a great idea, and I love how it is handled. This narrative charm also lies in the audience's empathy and sense of substitution with Hugh Grant. The director regards the audience as Hugh Grant, sitting in a chair and listening to the writer's storytelling, that is, we sit in the chair and listen to the writer's storytelling, the more the writer treats them The sex is told in the most detail and vividness, and we, like Hugh Grant, have that sense of desire, shyness, decency, and voyeurism intertwined, and then sink in all of a sudden, and never cut to the reality of the ship for a long, long time. Time and space have been in the story time and space for a long, long time. Then they talk about their sex games, the relationship breaks down, and I look down with the premise of a sex movie. But it starts to go deeper than other erotic movies. I think about these questions a lot, when I'm writing or thinking, when I'm in a daze. It goes from pure eroticism, that pure to uncomfortable eroticism, to a revenge story, and it reaches so many levels of human nature, which is fantastic.
The dancer did a very good job in the part where she was tortured by the writer, this part is her best part, the first time I thought she was like the dancer seducing Hugh Grant in the cabin aisle, she blinked when she turned away Tried it three times, and this little trick is great, precise and in place. And she was taken to the bar by the writer. The writer said that your new hairstyle looks like Rita. It is the dog that we raised across the house. Here is a big shot from the writer's point of view, and then the dancer's performance is to look up and turn around. She turned her face away, bit her lip to hold back her tears, that kind of dignity that has no place to be ashamed and nowhere to put it, the performance is really good, the body skills are amazing, the filming is amazing. There are also writers who left her alone on the plane, and the smiley faces of the writers are superimposed on the dancers' windows. This form is too normal to use in romance films, but it completely captures the sense of horror, horror and distortion. The evil thing, this so-called freedom for writers, is fine.
And then the dancer comes back for revenge, and the scene where he gave him the pistol and the cake was really nice. At this time, how many romance movies are left in the movie, and they have all turned into suspense movies and thrillers, and this gun will definitely be fired.
At the end, the narrative of the story branch is constantly strengthened. Those things about Hugh Grant's middle class, the fact that he and his wife have no sex, seems to be a problem of conflict between husband and wife. Many illusions and desires are punctured by desire writers and dancers. , and then they do another self-termination. The writer's last words before committing suicide are all too greedy. fuck, so good.
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