Oscar's greed and corruption, Mimi's paranoia and perversion, and Nigel's hypocrisy and pretentiousness originally made me resist and resent this film for a while. Happy every day! Oscar." After that, I was instantly moved to tears. Suddenly I recognized the way Mimi's self-burning love, the greeting full of tears, there are pity, grievance, resentment, bitterness, entanglement, struggle, and all the mixed flavors, all because of love The ground is too deep, but she and Oscar have gone too far, and their love has come to an end.
Mimi and Fiona, one is a cool beauty with ice and snow, and the other is a sexy and flirtatious hot girl. Their double dance can be described as stunning. Fiona seems to have found some solace in same-sex love after her disappointment with Nigel. Two women who were also tired and betrayed by men came together, cherished each other, and shared the pain. (This reminds me of a very early Hong Kong film "Self Combing". Many lesbians liked men at the beginning, but only when they were hurt by men, they started to stay away from men. Like men. It’s just that heterosexual love can hurt people, but same-sex love won’t? Harm theory is just an incentive, and the fundamental reason for those people to leave the ranks of straight people is innate genes. Otherwise, there will be far more homosexuality in this world. Now that the number is there, think about it, which one has not suffered emotional damage, and it will change after suffering. It is scary that there are no straight people in this world except those who have never been in love?) The
director seems to make people feel hopeless about marriage and love or Tired, even a so-called upright gentleman like Nigel was just as unhappy in the end. The so-called loyalty, but the temptation is not enough. But is the director really desperate for marriage and love? If so, what kind of message does the gray-haired elderly couple supporting each other at the end of the film convey to us?
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