However, it is precisely because of this beauty, the hidden darkness and filth, and the huge contrast produced by it, which makes people terrified and regretful.
Five girls who grew up in grandma and uncle's house can actually marry someone who has no feelings like other girls, and then fall in love after marriage, isn't it a normal Turkish custom? Besides, girls still have the right to choose whether they like it or not, and they can also ask to marry a boy who loves each other. Why are they resisting, committing suicide, fleeing, desperate, abandoning everything, even after arriving in Istanbul, they don't know how to survive.
In fact, before the pursuit of freedom, it is to escape from filthy obscenity and abuse.
The family has no farming or business, and seems to rely entirely on uncles to support their lives, including grandma's. All glamorous, without roots, completely dependent on the uncle. So the uncle controlled their existence. Under the sanctimonious appearance, under the hidden language of the camera, the uncle did the deeds that the girls couldn't talk about.
The five girls who lack education, have no source of income, are ignorant, and are molested and violated in turn. Only after the big girl's wedding night did not fall, she faced the doctor's incomprehensible dialogue, so there was the suicide of the middle girl, and there were many surprising conversations about sex between the girls throughout the film.
When the most astute little girl found out that the only remaining youngest sister who was ready to marry was also violated, when bad luck was about to come to her, she was ready to flee at all costs.
Once the darkness and filth hidden in the bright and bright are understood, this escape is reasonable.
The film is actually metaphorical to a considerable extent, and the girls' home environment and the abuse they are subjected to are actually a metaphor of the environment Turkish women face, not necessarily what happened. That's why the movie is very obscure, so the uncle's family situation is vague.
A film with a soothing plot, a moderate degree of tension, and unstoppable watching, with countless metaphors hidden on the surface. In the competition for Oka foreign language films, even "Si Mourning" was out, and what happened to Tumor Jun.
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