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Javon 2021-12-14 08:01:15

If the sun is going to explode, you will have a full 8 minutes before you find it. That is the time from the sun to us. In 8 minutes, the world will still be bright and warm.

The unexpectedness of everything made the disaster even more sorrowful. And sadness comes from the beauty before that moment collapsed.

You will hold on to the brightness of the past and compare it to the sorrow of the present. You will dig out the guilt and self-blame hiding in a small corner, and then magnify them all. Then you yelled, you snarled, you blocked your ears not to listen, but you didn't know that those sounds came from the bottom of your heart. You can't touch, catch, or drive away, they are there, very loud and very close.

When the sixth message scene reappeared, there was an unclear final "are you there?" on one side, after which the camera switched to the TV screen, and the black smoked Petronas Twin Towers collapsed. This paragraph is too cruel, and I think the description of the disaster is enough.

The few short shots of the Oscar's Best Actor Nomination Clip bought me in an instant. Maybe it was Maxi von Cido’s only a few full-content eyes that caught me firmly, or to be more precise, I basically didn’t have much resistance to the old drama bones + the little boy. force. But before I watched it, I didn't know that it was a film with such a heavy theme as the background of 911.

Last night I finally took the time to watch the whole movie. After that, my eyes were swollen and I recalled all the things I had just done. The contradictory retouching method in the movie used to describe my state at that time as "sleepy and unable to sleep."

Life is full of so many contradictions, sometimes the more you want to move on, the more you hold onto the past. You may be moving away from the other when you are close to one. Oscar is such a boy.

Emotional things are always difficult to judge. Perhaps it suddenly became clear at a certain moment, or perhaps, never. Fortunately, the film is still moving in a good direction after all, just like the boy who thought he was walking alone finally knows the figure of love with clues behind him.

I cried many times while watching a movie, and the tears couldn't be restrained from flowing down, but I still didn't feel that they were hypocritical. The first time Oscar lay in the crack of the door and said to the mother inside the door that I love you. When I was with Grandpa, my eyes were probably wet all the time. Mom never left those shots of him. Another serious emotional outburst was the letter Oscar wrote to the Blacks. Then the boy lay on his mother's lap and said, "He told me, he said, I really love your mother, what a good girl she is.". The last is the last page of the visit record. The little man imagined as a father moved up and down the red line marked with up and returned to the building as if rewinding. Everything seemed to be intact.

If it's too easy to find, it's not worth looking for.

One of my favorite scenes in the movie:

In addition, Alexandre Desplat contributed a very, very perfect soundtrack. Those delicate and rhythmic melodies perform emotional transitions and progressions. Sometimes I can’t even tell whether the drama’s emotions have moved me or I’m simply just Those notes made me burst into tears.

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Extended Reading

Extremely Loud & Incredibly Close quotes

  • Oskar Schell: It's just a box! An empty box!

    Linda Schell: I know it's an empty box! I know this. But I did it for me, and I did it for you so we can at least try and say goodbye to him. Because he's gone, Oskar, he's gone and he's not coming back. Never. I don't know why a man flew a plane into a building. I don't know why my husband is dead. But no matter how hard you try, Oskar, it's never gonna make sense because it doesn't. It doesn't... make... sense!

    Oskar Schell: Fukozowa you! You don't know anything!

  • [first lines]

    Oskar Schell: There are more people alive now than have died in all of human history, but the number of dead people is increasing. One day, there isn't going to be any room to bury anyone anymore. So, what about skyscrapers for dead people, that are built down. They could be underneath the skyscrapers for living people, that are built up. We could bury people 100 floors down. And a whole dead world could be underneath the living one.