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In front of nature, human beings are too small and insignificant.
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Some religions are peaceful and some are noisy and smoky.
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The ancient times, the changing year after year, the mountains, rivers, clouds, seas, deserts, giant waves, caves, rainforests, volcanoes, sunrises and sunsets, tides come and go.
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We peacefully accept, one of thousands of lives.
And when I saw a life that was so different, I sighed: wow, it turns out that I can still live like this.
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Chickens from the chicken farm slide down the pipes, and crowds enter the crowd from crowded elevators and subways; insects line up and pass the green leaves in an orderly manner, and there is continuous traffic on the street facing the Chaoyang; Pedestrians at the turnstile...seem to be essentially no different.
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Busy busy, busy busy. In the eternal tranquility of nature, people and animals live noisily, this is all the greatest meaning to us.
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The garbage is coming, and we're rushing up. Money comes, and we pour it up. The food came and we rushed up. When the water comes, we rush up.
Our instincts are all the same.
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What is a dance performance, what a hell.
[Butoh, "Anti-Aesthetics" Art, "Erase Personality", "Perverted Personality"]
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Oil field fires only come out of mined holes, like candles burning only on their wicks.
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Reverent, serene, solemn, peaceful, distant, silent, grand, solemn.
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"God's to God, Caesar's to Caesar."
What human is given to human, what is natural is returned to nature.
There is no language in the whole film, but it is better than words.
mime. But can feel a thousand words.
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