Auditory fear

Agnes 2021-12-08 08:01:44

The tidy room was unreasonably clean, and Cole looked at it to see where there was a problem and the bug was hidden. When the blood-red water poured out of the toilet, I was really stunned! It turns out that Cole, who works in monitoring, has been monitored! He checked the room frantically, not letting go of every corner. The only remaining statue of the Virgin represents the last faith, but when no bugs were found anywhere, he could only tear the icon apart, but there was nothing left.
The floor was pried open, the wall peeling off, Cole slumped on the ground, playing the saxophone, lonely and helpless. He will be trapped in the ruins, living under the surveillance of others, and will never be liberated. At this moment, the looking down lens is slowly shaking, like the eyes of a monitor, patrolling carefully. But you will never find it, let alone see those omniscient eyes, invisible like God.
Coppola's anti-genre movies, like Apocalypse Now, made me bewildered. It's not without logic, but I always feel that something is wrong, and there is no such thing as the pleasure of watching movies. In some places, it's almost incomprehensible. Why did you win the Palme d'Or award? It is about the society that is being monitored everywhere. People no longer have any trust between them, trapped in their respective cages, and lonely to death.
The sound editing is indeed remarkable, creating a suspenseful and terrifying atmosphere, and in conjunction with the picture, it vividly conveys Cole's inner fear.
What always happens, and you don't know anything.
Coppola always uses images to convey his philosophical concepts, but isn't it better to use words?

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Extended Reading

The Conversation quotes

  • Harry Caul: [from dream sequence] He'll kill you if he gets a chance. I'm not afraid of death. I am afraid of murder.

  • Martin Stett: I'm not following you, I'm looking for you. There's a big difference.