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"Eat Raw" tells that France is just like a girl who enters a veterinary school, but is tortured by an old student (elder sister).
After being forced to eat rabbit kidneys, the cannibal genes lurking in the body suddenly broke out. On the surface, the film is a story of teasing the elite and vegetarians. Behind their gentle and indisputable life beliefs, there is a fierce carnivorous nature lurking, which can be out of control at the first episode.
But nowadays, film directors will not easily allow their work to produce only one interpretation, otherwise they will be embarrassed afterwards, and they will be labelled as environmentalists or animal protectionists. No matter how much you argue, it feels like the ideological level of elementary and middle school students in the end.
Female director Julia Ducono set up elements other than vegetarian: the veterinary school in "Eat Raw" looks more like an anarchic cult organization in the wilderness. From the beginning of the movie, the environment it presents is not a realistic space. This detached and distorted bionic plastic feel is not that the setting of cannibalism and blood is too inconsistent, but that the director magnifies the subjective world in the eyes of the girl on the camera screen, with strong colors and exaggerated sound effects. The bizarre things become more absurd, and the horrible things become more repressive.
Freshmen rookies are nothing more than a grade difference, they will suffer unreasonable humiliation, and will be called an adult ceremony. There are many tricks, just obey, and finally will be named "liberated nature", cheering you for finally sticking to it. . The irony is that this baptismal process is independent of the existing veterinary school education system. The teacher does not care, but the heroine panics. She became a beast driven away, crawling on the ground, and engaging in an imaginative and tempting paint peace with strangers (one of the favorite passages in the whole film).
The difference between humans and beasts is that they have self in their consciousness, knowing life and death, and at the same time restraining themselves and knowing civilization. The bullying and coercion of "Raw Eat" is accompanied by carnival ostentation. It is easy to think of "Sodom for 120 Days" which is "just cannibalism". The difference is that "Raw Eat" was shot beautifully. The hunger and thirst appetite displayed by cannibalism and the sexual awakening of the girl's body consciousness are superimposed and used together. The existence of the self is under siege by others. She couldn't restrain herself, and then attacked others.
Cannibalism is not a necessary option in movies. It is not breathing oxygen, not thirst quenching water. The film is not a vampire theme such as "No One Who Lives", nor is it a restricted-level movie designed to express low-level interest. Once you understand this, cannibalism is just a mode of behavior, like sadism and self-destruction. The actions of the heroine are nothing but growing awakenings and repressive resistance, like a mudslide of desire for destruction and desire for destruction. The movie has shifted from a university of a larger social unit to a family of the smallest unit. A fierce sister bite confirms the ultimate destination of this desire for destruction. She used inhumane to destroy everything and completed the test of being a human being.
It is not difficult to find that in the switch between school and family, "Raw Eat" cares for one and loses the other. The clear-cut characters in this movie are nothing more than four family members and a lover who is a roommate. Other human characters are no different from big dogs and cows.
Sisters and roommates acted as initiators of enlightenment in cannibalism and sexual desire. When the movie frankly frankly, when the two sisters both have cannibal genetic inheritance, many people can guess the ending scene and even laugh. I thought there was a terrifying conspiracy and group crimes could not be forgiven. In the end, it was a black spoof. Sexual abuse can occur, but don't play too much.
After the introduction of the topic of cannibalism, the film is tight and loose at the end, from the fangs and claws of the monsters, to the small-hearted "don't love you". Smart movies will make you worry about the protagonist. She is involved in the contradiction between nature and human nature, and she doesn't know what to do. "Eat Raw" is a bit superfluous, and the director ran out of it. You think the movie has to talk about unbearable weight, but it is still a strange thing that can be digested in the real world. What's more, as long as the cannibalism is dormant in the family, who cares about your scars.
The only teeth of the ego are crazily gnawing on giants like society and school. You will discover that the destructive power of cannibalism can be infinite. If the object of the big mouth is just to label the loved ones, it is just a case analysis of perverted perversion.
"Eat Raw" is not a hormone for walking, nor is it splattered plasma. It is more like a lonely woman, unable to resist delusions, especially the anxiety and fear caused by sex-she yearns and fears that she will become another person. The Japanese female singer Togawa Jun snarled in the song titled "Like a Meat House", "Ah, I can't bear it anymore, I am eager for the dripping blood, I really want to eat my beloved you."
It is not the patent of paranoia to use such horrible words to describe love that is too gentle. Just like when someone kisses you, you get scared. His love may swallow you.
"Eat Raw" is a film that doesn't want to hide the sensuality, admitting that there is a beast imprisoned in his heart. Carnal desire is the union of two, entry, and possession. But carnal desires know how to restrain themselves and how to tame themselves.
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