Maybe you shouldn't watch "300 Days of War between Father and Son" before watching "Slope of Poppies in Bloom", which will cause a very tangled psychology. It is precisely because I saw all kinds of behind-the-scenes scenes in "The 300-Day War of Father and Son", understood the pressure and hard work of supervision, and was moved by Wu Lang's desperate persistence and dedication, so I wanted to be tolerant of "The Hillside of Poppy Bloom", but It is precisely because Hayao Miyazaki in "Father and Son's 300 Days of War" gave his son's strict requirements and calm support at the same time, the slight sense of ease at the last moment can not help but make people look forward to and fantasize. But we all know that imagination is always too good. So in the 90 minutes that wasn't too long, I would always think of the time when I watched "Spirited Away", and I couldn't bear to say that "Blooming Hillside Poppy" was like the dog-blooded idol we chased in those years. Just like the drama, the ending is predicted and just waiting for the arrival of the final END.
When Hayao Miyazaki talks about Goro Miyazaki, his critical words are loud, sharp and resolute, which makes us all sound too harsh, but it is really sharp and has no reason for tolerance at all. Throughout the entire "Slope of Poppy Poppies in Bloom", the sea can still be so blue, the grass can still be so green, and the singing can be beautifully sung under the high-roofed classroom, but no matter how surging the sea water, the air can be no longer in the air. The familiar smell of "hot air over the Sahara" cannot be wafted, and he can draw all the scenes as deja vu, but the huts and streets under the dark green and light blue are as if wilted under the scorching sun, lacking the most important spirituality. The expression of the girl who lost her father always bears the gloomy shadow of Wulang's childhood. The pretentious strength and the unnatural use of the bright can only make people feel more far-fetched. The house on the hillside raises its flag, echoing the ship sailing across from it, but what I think of is the code of the searchlight in "Princess Goldfish on the Cliff" by Li Sha, and the playful and willful warmth between the husband and wife flickers. The scenery can be similar, the characters can be similar, but the soul is unique, even if it only exists in our fantasy space, and Wu Lang may not have discovered it yet. He once frowned and closed the door for contemplation. Hayao Miyazaki silently handed over an original painting, and the figure of the girl walking quickly jumped out. The stubborn and arrogant white-bearded father finally couldn't help opening the door for his son, but behind that door was a rough road that was too heavy and laborious.
Ponyo was about five or six years old when she kissed Sosuke, Chihiro was thirteen years old when she met Bailong, and what grade of middle school was when Tsukishima Xia and Tianze Seiji agreed on the future? In fact, first love has nothing to do with age, old lady Sophie can also walk in the air with the beautiful boy. It's just that no matter when we recall, it is hazy and beautiful, as if the first time we saw the rising sun, which is reflected in the black and white eyes and becomes a landscape that will never fade. Therefore, we love the boys and girls of the "Ghibli" family so much, and in this impetuous world, we can find the power we once had and see "things running in the wind". But in "Slope of Poppies in Bloom", when the boy told the girl about their blood relationship, I was even more shocked and saddened than the girl. "Blue Life and Death" and "Winter Sonata" floated in front of my eyes. When did it fall to this point? It's not like the protagonist is sad and packs up his tears overnight and can pretend to be nothing. Hayao Miyazaki said that he was 71 years old, and I couldn't help but want to cry, whether it be a robot, a spaceship, a magician, or an ordinary little girl, the vivid and agile life he once bestowed on him was a must. who will inherit. Even though "Father and Son's 300 Days of War" used "You give me some pressure to try." "Damn, don't die if you have the ability!" Such a touching father-son dialogue and Wu Lang's relieved smile acted as a In the end, what about reality?
I want to go to Ghibli's paradise one day, stand at the feet of the giant robot, and look up at the sky to see if there are spaceships and castles passing by. Or get on the old tram, pass the corner where we first met, and drive to the end of no one. Is it still possible to make us imagine again and again that we are Peter Phan, who is not very grown up, and that you lead us to the other side of the world by flapping the wings of a fairy?
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