I am not impressed with this classic film. Perhaps such a stirring emotion is too far away from me. I am only suitable for a single thread, and I can't imagine the random switching between dual threads or multiple threads. Therefore, there is no solution to such a woman who loves as she pleases, except for being amazing. This is a movie of pure love, there is no worldly concern and fetters, only love. Three people, three ways of loving. Zu is unrequited love, accounting is restraint and rationality. Katherine is an ego person. Men love her cleverness and beauty, but they can't catch her. She wants others to pamper her, all attention must be on her, and she cannot be ignored. The love she wants is total surrender, just like Zu and Abha. Absolutely sex her. And she can be emotional for love. Zu is a faithful lover. His love for her has no limits. In the face of betrayal, as long as she still lets him stay by her side, he even encourages rivals and friends not to regard him as an obstacle and bravely confess to his wife. In this relationship, he can only be freed when she dies. However, in "Note: I Love You", the love I see is that after the husband dies, the wife cannot continue to live. If there is no encouragement from the deceased husband's last letter, I think the wife will inevitably go with the husband. This is the love I believe in. Accounting is her opponent. They admire each other but are not loyal to each other. He has his Jiaopei as she has her ancestors. In her relationship with Zhan, she wants absolute equality, so when she decides to be together, Zhan wants to say goodbye to a few old friends, and she also bids farewell to her old friends without hiding it. The difference is that she is really saying goodbye, while he is just saying goodbye. Seeing her play the pajama trick, Zhan decides to marry Jiao Pei under Zu's explanation. For Zhan, he could not be sure of her loyalty. His love may not satisfy her. So he decided to give up. The opening subtitle reads: You say, "I love you," I say, "Stay." I almost say, "Take me away," but you say, "Go away." "Go away" is the starting point of their tragedy . The sharp part of her character goes totally crazy when she's out of love. Zhan's departure, Zu said to Zhan: "She is hunched like a widow, walking as slow as a sick person, and laughing like a dead man." She is the lovelorn she. The one who jumped into the river without warning and neatly jumped into the river is also a lovelorn her. She has never lost love for anyone, only accounting. Catherine's emotions are too intense, from the beginning of the film has been losing, until destruction. When the three met, she was the darling of love and was cared for by Zu Yuzhan in every possible way. She said that she had never laughed before, but now she will laugh because she met them. On the eve of marriage, her husband's family had a conflict with her. Because Zu didn't say a word, she went to find her ex-boyfriend to get revenge on Zu. The war breaks out, the lover is far away, the distance produces beauty, and the feeling of love comes back. However, the dull life after the reunion could not satisfy her, and she ran away again and again. The arrival of accounting for a period of happiness. Because of Zhan's unspoken jealousy, she stopped jumping on Zu's bed. This is her first concession. Later, Zu moved to downtown Paris, and the three met again. Her plea on the phone was her second concession. However, while giving in, she also has her bottom line. The bottom line is the pajamas wrapped in silk scarves (Voiceover: You betrayed me and I'll betray; I wrote it off before, now I start again). However, Zhan and Zu couldn't understand her intentions after all, and she didn't bother to explain. When she was desperate to marry her, she pointed a silver gun at him. I believe at this moment if he dies she will not live. He eventually escaped by jumping out of the window, taking her gun with him. From the queen's love to the bottom line of equal love, the bottom line can no longer be crossed, she is not the ancestor. She is queen. If you can't get it, destroy it. So, she invited to get into her car and said to Zu, "Look at us." Zu watched them rush into the Seine. At the moment when he was about to fall into the water, he saw the other side of the fracture, and Zhan's eyes did not panic. Zu said to Zhan: For Catherine, you are easy to capture and difficult to defend. Your love for her can drop to zero, or suddenly rise to one hundred degrees. I have never seen your zeros and boils. They love each other in their own way and can't find a good outlet. She is not destroyed if she can't get it, but she can only be liberated by death.
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