The Tragedy of Faith - The Movie "Zu and Zhan"

Dana 2022-04-22 07:01:42

Zu Yuzhan:
I said that the result of humility is often a tragedy. If you are selfish, you can often end well.
The film says that Zhan touched Cecaline's feet and quickly ducked.

Zu:
I said that infatuation is a kind of bondage, which is stronger than the power of belief. It is impossible to give up love and no desire, so we always go to tragedy. It's easier said than done, as long as you can stick to your obsessive beliefs, all means will be spared.
Zhan decides to marry Jiaobei. Zu said, you are a smart person.
After Copernicus, they still believed in God. After Darwin, they still believed in God. After many people, they still believe in God. Excuse me, is this stupid? I thought that was precisely the source of life. Cecaline is not a queen, but a god.
"We played with the source of life and failed."
When the car drove to the broken bridge, God died, and Zu's life began anew.

Celine:
Is there absolute freedom in this world? If not, is there a limitless freedom to do whatever you want? Whether life is a tragedy or a play, I can't control everything, starting from the freedom of belief, people no longer have freedom.
It's freedom to jump, it's freedom to snatch, it's freedom to pretend to be a man. Many times, free expression is love. I like you, I'll be with you, and then I can leave, or I can let you go. I like him, I'm with him, and I can leave, or let him leave. In short, I have always been the victor.
Sexual women are beautiful, not just having a face like a perfect sculpture.
"You and Jiaobei, what about me?"
Burning all the love letters, but accidentally burning his own white skirt. Carry a bottle of sulfuric acid, which is said to be poured into the eyes of the lying man. When everyone thought the gun had been forgotten, and only Cecaline still remembered it firmly and firmly, I thought it was faith, until at last the car drove to the broken bridge.
The dream left on the mountain was interrupted by the most realistic law.

Take up:
I think that survival is a compromise, which cannot be denied. The simplest, living is a compromise to death. The wisdom of living is the art of knowing how to compromise. Some people are real rebels and choose suicide unswervingly.
What is compromise is to seek the gap of faith.
If people want to pursue love, they have a lot of scruples. When you have the courage and opportunity, you are tired of guessing and wandering. This is the most realistic and vulgar person. If you are demanding stability, and the goddess is always with the goddess, then you can only escape, stay away, and get close to the people who have been waiting for you.
"The whole house is my child"
When the car drove towards the broken bridge, all this was a grand dream, and even the coffin, which was much bigger than Circeline's, couldn't fit.
People's restraint is just not enough love, and the entanglement is just because they don't like you so much. If you are strong enough, you no longer need courage. A very good person, who does not understand love. Unlike Zu, who clearly knew that he was not someone who could be grasped, he still went.

The movie has a meaningful beginning:
You told me “I love you.”
I said “wait”

I almost said “Yes”
You said “Go”

Written in the dorm on March 9, 2014.

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Extended Reading
  • Evangeline 2022-03-28 09:01:07

    There is no doubt that the film technique is classic, but the story is quite dissolute. The first half is very similar to Hemingway's novel "The Sun Also Rises", a sensual and selfish Caroline, a loyal and infatuated Jule, and a Hemingway-style Jim. Such a warm 3P plot can only be enjoyed by capitalist literary youth. However, the film teaches the majority of men a truth. As a boy, you must protect yourself outside and never have any relationship with Caroline-style women. They may be charming, but they will only bring you pain and disaster. Can it kill your life?

  • Maximillian 2022-03-19 09:01:06

    This is the greatest 3P movie in the world. Truffaut's filming of this originally unsatisfactory novel can be used as a model case of literary adaptation. Rochet's original work is drastically cut off the branches and branches, but he compiles detailed dialogue on the basis of the original story-like outline. The scenes are mainly shots, the dialogue scenes are very attentive, and the freeze frame and zoom are both wonderful. Particularly rare is the insertion of fragments from old movies.

Jules and Jim quotes

  • Jules: But not this one, Jim. Okay?

  • Jim: What is it?

    Catherine: Sulfuric acid, for the eyes of men who tell lies.