see three o'clock, think five o'clock

Abe 2022-04-21 09:02:54

I couldn't fall asleep at one o'clock, so I took "Zu and Zhan" to watch
sitting cross-legged in the dark. There was always huge music in the headphones surrounding the black and white picture, and the computer was clattering
on my legs . At the beginning, it was the interesting frame-by-frame picture with the French that quickly explained the plot, and then the two ancestors who looked very young and were very conscious of the fact that they were young, and Catherine, who had thick and extended lips. When the three of them went to the theater with the feeling of Sagan , Catherine jumped indiscriminately and femininity, sitting in the middle of the two with a wet and successful provocation, wearing a beard and pretending to be a man running in the promenade, thinking, Ah ah ah, this turned out to be the original source of the bridge in "The Dreamer" Sitting on a chair like a child, tiptoed to make the chair turn, was greeted coldly, said a lot of nonsense to attract attention , like a small beast He raised a gun to threaten his lover who no longer loved him, and finally drove him into the river to death , and the lovely woman who blew smoke rings to simulate a steam engine and told a bunch of bizarre marriage history until three o'clock, not tired and always . Thinking about it, it's five o'clock










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Extended Reading
  • Evangeline 2022-03-28 09:01:07

    There is no doubt that the film technique is classic, but the story is quite dissolute. The first half is very similar to Hemingway's novel "The Sun Also Rises", a sensual and selfish Caroline, a loyal and infatuated Jule, and a Hemingway-style Jim. Such a warm 3P plot can only be enjoyed by capitalist literary youth. However, the film teaches the majority of men a truth. As a boy, you must protect yourself outside and never have any relationship with Caroline-style women. They may be charming, but they will only bring you pain and disaster. Can it kill your life?

  • Maximillian 2022-03-19 09:01:06

    This is the greatest 3P movie in the world. Truffaut's filming of this originally unsatisfactory novel can be used as a model case of literary adaptation. Rochet's original work is drastically cut off the branches and branches, but he compiles detailed dialogue on the basis of the original story-like outline. The scenes are mainly shots, the dialogue scenes are very attentive, and the freeze frame and zoom are both wonderful. Particularly rare is the insertion of fragments from old movies.

Jules and Jim quotes

  • Catherine: One always feels guilty in a hotel room. I may not be very moral, but I have no taste for secrecy.

  • Catherine: I'll think no more of you so that you'll stop thinking of me.