"Girl, no one in this world has the right to possess—Luo Dayou." This is a truly feminist film. I think all female themes are going in the wrong direction. Political rights, workplace rights... are not fundamental, and freedom in love is the most important freedom for women's rights. Truffaut is my favorite. When I was a kid, I didn't know anything. The first time I saw the last subway train, I thought it was so good-looking. It was only when I grew up that I knew it was a master. The new wave is almost my favorite genre. The part about the steam train, the supporting actress in this film, is my favorite part, and Catherine running across the iron bridge. In that era when there were only moving rails and cannons, it was amazing to achieve this quality of motion shot scheduling. After all, it was The country that invented the movie. Truffaut also dispatched several aerial photography, extravagant, after all, there were no drones in the 1960s. The structure of 嬲 is actually very stable. Just like in middle school, we had five or six buddies, and only one girl, Rong Er, and we just walked around the streets in groups for several years. I understand the subtleties and tensions, and the age.
In addition, the Peking Opera mentioned in the dialogue, I don't know if it is Farewell My Concubine, has anyone verified it?
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