Qian Jiale died much better, and all the sex scenes disappeared. In the first act, Mr. Yi tied Wang Jiazhi's hands with a belt, and the good scene clicked as soon as the show started; in the second act, it fell slowly, and then there were the faces of the naked (imaginary) two people. I don't remember the third act at all. I originally thought this drama could be made into "Jin Ping Mei", it doesn't matter if the sex scene is deleted. But now it seems that Wang Jiazhi's "drilling into my heart" can't be implemented. What's more, their relationship has the shadow of S/M from beginning to end, who controls who is the most important, and the sex scene is the best expression.
I don't know where the house where Mr. Yi had a relationship with Wang Jiazhi for the first time was filmed. Later, it was said that it was on Xiafei Road, which should be the house left by the Europeans who were arrested in the concentration camp. When Wang Jiazhi walked in, she brought a photo of a mother with two sons. The house was empty and clean. There was only a bicycle parked at the foot of the stairs. I don't know why it was not taken away. There was a strange sense of instability. (Revisited the original book, it is indeed an Anglo-American house)
The part in the Japanese Tavern in Hongkou is really good. It is obvious that it is for sensationalism, but who can't eat this set? Wang Jiazhi loves acting and enjoys life in the identity of Mrs. Mak. Singing "The End of the World Singer" is acting in acting, not acting in a movie, but like a real drama. Stylized, empty performances, controlled pouring gestures. This is the way the play is. Condensed in simple stories and constant actions, it is the most basic emotion. So Mr. Yi finally couldn't help crying when he heard "Lang, we are one heart". Wang Jiazhi said, "He knows better than you how to play fake and real." When they go to bed, it is also a play. Wang Jiazhi wants to learn to sell thighs in movies, and Mr. Yi wants to bring the No. 76 set over and perform human geometry with a mask. On the next level, the mistress sings to the adulterer, imitating innocent girls and progressive young men. It is full of irony and actually brings out a little truth.
I don't remember which movie was the last time I experienced such a feeling of "Duckweed in troubled times". They were two Chinese surrounded by Japanese. She was treated as a prostitute when she walked in. He has always been a Japanese "old prostitute". Seeing the Japanese at the door, he quietly hid his face and did not want to face him. The previous conversation should have been unpleasant. Amidst the mourning Japanese songs, he knew that the days of the Japanese were not long, and he didn't know what the future would be like. She also doesn't know if she can kill him or not, and what will happen after killing him. In a troubled world, who can tell what will happen tomorrow? This little Japanese room with a mess of cups and dishes is their Noah's Ark. She is the "little sister" and he is the "Lang". Life is singing and playing the piano, and also promises to "never separate", so the falsehood must be true.
At that time, he was no longer trusted by the Japanese, as you can see from the dialogue between Secretary Zhang and him in the opening scene. When the Pacific War started, he also knew that the Japanese would not be the opponents of the Americans. At that time, those who had connections were already sending good news to Chongqing. It was a really chaotic world. Many people carried several party membership cards. It suddenly occurred to me that Li Shiqun from Zhou Fohai Dingmo Village was actually a member of our party.
In the film, Mr. Yi's name is "Mocheng", is it a homonym of "Mo Village"?
Finally, in the Indian jewelry store, Wang Jiazhi was wearing the six-carat pink diamond ring. Tang Wei's hand was a bit thick, so he wanted to take it off, but after two strokes, it didn't come off - or he was reluctant and said not to wear valuables. Walking on the street, Mr. Yi approached her slightly, with a sad look on his face, but also tenderness, saying that you are with me. Wang Jiazhi's face is changing rapidly, I think she was knocked down by this sentence. In this small attic, there is love in the color, and the ring has become a real kerosene ring, which can be hung outside quietly. Her life has come to an end.
In the movie, when Wang Jiazhi died, there should be no hatred. If a woman can have these two things in her life, what more can she ask for.
After the operation failed, Wang Jiazhi wanted to go back to Fukaisen Road. In the novel, he went to a relative's house on Yuyuan Road. The place to buy the ring is at Seymour Road, Jing'an Temple Road. Of course, it is easier to go to Yuyuan Road. Fukaisen Road is here today on the Xie Di Road, so far, from the public concession to the French concession? In the movie, there is still a red-headed Asan directing traffic. In 1942, the Japanese army had already invaded the concession (by the way, there are a lot of foreigners in the film to show the concession). I don't know if the red-headed Asan was locked up at that time. ? I found a copy of Wake's "Shanghai Police" and found that he only wrote it for 37 years and it was about the Chinese police... The research of this film is said to have been made by Cheng Peikai and the others, so there should be a basis for it.
Yuan Yuqi said in his memoirs that when Ding Mocun was shot, his legs were too weak to walk.
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