female sex, quit male or vice versa? Or is it the vast world of flamboyant appearances, which can only be liberated by virtue?
Zhang Ailing is a person who is deeply saddened in her bones, but she can't escape her lust and precepts; Li An's life is bright and bright, and after all, she is complacent, but she is always unable to escape the coercion of "patriarchy".
In the novel, Wang Jiazhi is a female student who can act, is Mr. Yi's lover, and is a female spy who is struggling; but in the movie, Wang Jiazhi has another identity - a girl abandoned by her father. Whether it was in Hong Kong that his father got married in England, he was holding back tears to write a letter of congratulations, or he took over a mission in Shanghai and left a letter to save his life and death, the one who couldn't let go is the resolute and indifferent father. Before an ordinary girl came out of the court, her father was a god of protection. Under the dignified and authoritative cloak, he was actually caring and loving, like a cocoon woven by silkworms, holding Daddy's little girl in his pockets and pampering him in every possible way. And the girl Wang Jiazhi lost her shelter from the wind and rain, just like the precocious moth, struggling to spread her weak wings to let the wind and rain blow. At this time, there was a deep hole in her soft heart, waiting for someone to fill it up.
Patriotism is far away from Wang Jiazhi, just like love. If she has a little bit of love, it is also because of Kuang Yumin's emotional "thank you" under the dim and warm lights on the tram. It's a pity that this budding hazy love was snuffed out by a ruthless patriotic assassination plan. Even her first night was so absurd and confused, she was assigned to a wretched man. What she handed over that night was not only her virginity, but also her ability to love and her longing. This was a self-abandonment after being abandoned by her father. You said that what she did later was in the name of patriotism, she fell in love with acting, and fell in love with the feeling of starting a new life in the role of Mrs. Yi, because Wang Jiazhi herself has been completely indifferent, but she is just an empty skin. One has. Therefore, the kiss that Kwong Yumin gave her on the stairs later had no meaning to her at all, and some were just resentments and regrets that had been buried for three years. Kwong is also a typical image of a man who will do anything to achieve his goals, and he will never give up sacrifice for the woman he loves. In other words, he never loved Wang Jiazhi at all, he just liked it; in the face of his own career or more "noble" goals, Wang Jiazhi was just a chess piece on the stage that he commanded condescendingly, so he called on the second floor of the school theater. The sentence that came out was an imperative "come up". Who do you think is Wang Jiazhi's pawn? Is it really a mahjong tile played by Mr. Yi, or a pawn at the mercy of Kwong Yumin? In the end, Kuang Yumin looked at Wang Jiazhi on the execution ground. There was no resentment in his eyes. Some of them seemed to be relieved and in love, quite like Liang Shanbo or Romeo's willingness to die for love and a beautiful vision. Perhaps, when people are about to die, the only thing that can be pinned on is that illusory love.
Between Mr. Yi and Wang Jiazhi, it's hard to say it's love, and it's not just carnal, even Eileen Chang can't tell. Of course, in our country of false Taoism and Puritanism, erotic dramas have been completely cut out, but the "pigeon eggs" have been magnified to such an extent that it alludes to the devaluation of women by men in this materialistic society. As a result, old and new clichés such as "diamonds for life", "women's materialism" and so on are all the rage. Where can material men penetrate the appearance of diamonds and see the deepest part of a woman's heart? The men made of clay can only see the crystallization of carbon molecules and the price tag on it. How could they know that what really made Wang Jiazhi's heart beat was Mr. Yi's eyes and eyelashes at that moment. You won't forget the old saying, eyes are a window to whose eyes. Without those three sexually intertwined sex scenes, we can only imagine, or buy a ticket to Hong Kong, otherwise Wang Jiazhi's inner torment and mental journey will be too pale, and the inner struggle revealed in front of Old Wu and Kwong Yumin is too abrupt. A woman's growth process has always had a lot to do with sex, but not all sexual experiences are good. Wang Jiazhi's first night can be said to be extremely bad, no less than an execution, and her second time simply pushed this bad experience to the extreme. Sex itself is a kind of violence for women, and Mr. Yi's stormy SM gameplay once again pushed Wang Jiazhi to the brink of death. However, extremes turn into opposites. The violence that a middle-aged man who is under great pressure suddenly unleashes is probably the extreme of sex, so women are reborn in this purgatory-like experience. And precisely at this time, the conquered and the conquered, the man and the woman, the hunter and the prey began a wonderful transformation. This is probably what Mr. Yi did not expect, so there is a second bed scene that is said to be the pinnacle of scale. Whether it is a lot of body changes or a thorough exposure of private parts, the entanglement on the bed is also the entanglement of the two people's hearts; The violent relationship between whoever suffers is not the love of Wushan Yunyulang's concubine; it is the process of a man awakening a woman and then being awakened by a woman. meet and explore each other. At that time, they were naked not only in the body but also in the mind, as if the whole world around them didn't exist anymore. This is the climax, but unfortunately every climax is almost certainly not far from the end. So there was the third sex scene, which is said to be mutual comfort. It was a little helpless to have to put it on after taking off the mask, so pity became the protagonist. Deep loneliness and sadness, and I don’t know whether to pity myself or others, in the fusion of the flesh again
Regarding Wang Jiazhi's heart, Eileen Chang is so obscure in the novel that she wants to talk about it, but she just said one sentence and quoted a sentence. Of course she couldn't have written that clearly, because she was writing about herself, and about all the women, about the sensuality behind that fairy-tale puritanical love story, but she was only careful to lift a corner , let Freud's "Libido" looming and revealing a hideous face. Li An understands women, just like Almodovar, of course Tony Leung and Tang Wei also understand, otherwise the flirting and eyes will not be so moving, but Wang Leehom, the audience who have seen the laugh probably think he should continue to be a youth idol. .
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