The debut work is extremely sharp in both the subject matter and technique, the concise composition, and the bold long shots give a sense of cold ritual, the clues are cryptic and in place, and the length of the two forces under the extremely objective perspective is very well-balanced, and the structure is very symmetrical. The ingenious arrangement further confirms the momentum of one and the other. The prison that has become the king and the loser has become a will to cleanse and anti-cleansing with a strong religious meaning. The iron bowl of the prisoner and the iron rod of the riot police have issued the same kind. In the voice, no one is the winner, and no one is the righteous. This is probably the sorrow of the Western modern value system. The director uses all kinds of eye stimuli to interpret this fierce, human-like person who can be defeated but cannot be defeated.
Actors like Far Shark and Bell are all respected actors regardless of their acting skills. The last hungry image of Fasha and Bell's skinny in the mechanical designer, such an actor really completely abandons the body in order to interpret the role. The atmosphere of this film is depressing, and the progress is very slow. The background of political persecution and hunger strike is not easy to understand. All the excitement is in the long debate with the pastor. This is definitely the most exciting passage. Some seemingly incomprehensible behaviors have meanings that transcend everything.
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