I love this movie, it's nice because it's unique, and it's straight because it's dark. The second time I watched it, I still liked it. The only difference is that this time I don't worry about the heroine, because I have seen it and know that she will escape. When I watched it for the first time, I was really worried that the heroine would die of despair in a secret room. Life is the most precious thing. Without love, life can continue wonderfully. I don't think the female lead, nor do I hate the female second. I think their behaviors are all excusable, and they all retain their conscience (some people may say that the heroine has no conscience in locking the second female lead, which is related to what I will say next). I also think the second girl will come out. What I don't understand is the male lead.
Please follow my logic.
1. The premise is that I think the male protagonist knows that the female protagonist is in the secret room. The first is the inspiration given to me by the film review "Darker than Darkness" (inspired but not fully accepted), in addition to some other inspirations given to me by other film reviews. Among them, the two reasons that I most agree with are that the male protagonist did not have sex with the second female for the first time that night after he found that the second female turned over the bookcase and said sorry in the bathroom. He held the dog in a daze in front of the fireplace. When the second girl called him, his eyes were very complicated, very cold, distant, and like a cover up. b When he found out that the second girl had moved the bedroom and she went to question the second girl, he was obviously dissatisfied, but once again accepted it to cover up. What is he hiding? It was he who knew that the second female lead was a threat to the female lead. That is to say, the second woman also knew that the heroine was in the secret room but did not save her. (Although it is said that the second female has no obligation to save the female lead, but the female second does not save the female lead, which makes the male lead think that the female second is ruthless, and is afraid that the female second will threaten the female lead)
2 I think there is a real relationship between the male and female lead. But I am very puzzled, since he loves the heroine, why would he let her go after knowing that the heroine is in danger and leave her alone? I also wonder, since he doesn't care about her, why is he worried about the second female threatening the female lead?
First of all, the second female lead was brought back by the male lead. On the surface, the threat was brought by the male lead, but in fact, the male lead just wanted to take revenge on the female lead through the second female lead (personal opinion), but in fact the male lead did not love him at all. The second girl (emotionally no threat), and the second girl is ignorant of everything (can't hurt the heroine), so in fact, the second girl does not pose a threat to the heroine at this time. But when the second woman found out that the heroine was trapped in the secret room but did not save her, she threatened the heroine. Emotionally, she wanted to possess the hero (whether she was for the hero's money or not), and at this time she had a crush on the heroine. The main trapped inaction threatens the heroine's life.
So the male protagonist must be worried about the female protagonist at this time. Worry represents love. But this contradicts him not saving the heroine. So far I have a guess: At first, the male protagonist knew that the female protagonist was in the secret room, but he did not know that the female protagonist could not get out, and he might not even know where the secret room was or that the female protagonist was in danger. Until the male protagonist found out that the key of the female protagonist was on the second female (proving that the female protagonist lost the key to the secret room and could not get out by herself), but the second female refused to save the female protagonist (bookcase, sorry, moving the room, the male protagonist thought it was very obvious). The male protagonist only knew that the female protagonist was in great danger, so he couldn't sleep that night and was worried about the female protagonist while holding the dog. In the end, the male protagonist broke up with the mistress that day. I think it was the male protagonist who decided to save the female protagonist, so we must discard the element that mistresses disliked by the mistress.
That's all I have to say, my opinion is my speculation.
Then I have a question here, since the male protagonist loves the female protagonist, why should he retaliate against the female protagonist through the second female lead?
Seriously, if I were the female lead, I would never forgive the male lead when the male lead had sex with the second female lead. The heroine was trapped in a secret room by herself and watched them make love, wondering how painful and helpless she was when she could not be saved.
But I probably know that foreigners have different views on sex than ours. Anyway, I don't want this kind of male protagonist.
The female protagonist should think that the male protagonist knows that she is in the secret room, put the key at the end, and paste the photo to compete with the male protagonist "you save her to prove that you know that I am trapped in the secret room". As for some people saying that what the heroine did is to make the hero think that the second girl cares about the heroine and leave, I think it is completely nonsense. Only the female protagonist has that photo, not the second female protagonist, not even the male protagonist. I think the heroine doesn't want to kill the second girl, and leaves a clue for the hero to save her. In other words, the second girl also saved the heroine after all, and the heroine has experienced life and death, so she should be more tolerant and understand the value of life. And the police will protect the second female, and the male protagonist will let the second female out under the pressure of the police.
There is an obvious problem! It is obviously the home of the male and female protagonists, but the strangeness in the house (30 minutes before the film), but the male protagonist can't find it at all? Nerves? Why can the second woman receive the information? Don't tell me that the heroine is angry with the hero and deliberately doesn't look for him. I'm speechless when you say that. It is possible that the truth is that the male protagonist finds something different but does not respond and ignore it. The male protagonist didn't know that the female protagonist was in danger at the time, he didn't worry about her, and he hated her, so he ignored her. The female protagonist knew that the male protagonist ignored her and turned to the female second for help.
The above views are for sharing only, do not spray if you don’t like it, and don’t force it if you don’t agree.
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