What I want to discuss here is: Does the
male protagonist know anything about it?
My idea is that the director gave us an open space that allowed us to properly open our minds.
Viewpoint 1: The male protagonist does not know.
Then the plot of this movie is: the heroine of no zuo no die finds out that her boyfriend likes to have an affair with the band members. In order to get revenge on him, she plans to play a runaway scene to test her boyfriend. However, at the last moment of entering the small room, the key was left outside.
I have to watch my boyfriend find another new love and suffer 10,000 points of damage. In addition, it has to withstand the test of expired canned food and survival.
The second woman knew that she was trapped inside by tapping the water pipe, but the second woman was worried that she was abandoned and did not open the door immediately to save people.
The second woman could not get feedback from the first woman, and the moral pressure was getting bigger and bigger.
At the end, the male protagonist gave up his habit of engaging in petty ambiguous things.
The landlord died, the secret disappeared with the departure of the first woman, and the second woman died of hunger and cold.
End
point 2: The male protagonist knows that the
male protagonist likes the sunny side and the dark side of nature at the same time.
He's mentally unhealthy, or has to deal with the dark side in order to be able to direct better (there are too few plot hints to know).
In order to make the assumption true, the landlord must be an accomplice of the male protagonist, tricking the female one into the small room.
To make point 2 true, the key must not be able to open the door from the inside, otherwise the random event of a woman losing the key is unreliable.
In addition, the death of the landlord is likely to be the murder of the male protagonist.
And in the end, the male protagonist doesn't know whether the first female or the second female is in the small room.
End
Maybe, the male protagonist will find another place to continue his dark journey. So cut off the affair with the violinist.
From this, we can see that the male protagonist is more likely to be unaware, and the plot is more logical.
And the male protagonist's knowledgeable point of view 2 is even darker! The audience who can think of this is definitely beyond the movie itself~
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