Overall, a good movie. The content of the story, the technique of the screenwriter, the performance of the actors, the pictures taken, the music in place, are very suitable for the audience, and it is a sincere work.
The entry point of the story is to explore the dark side of human nature: suspicion between lovers, ambiguity between colleagues, selfishness and revenge between rivals in love. At the end of the story, the director used an open ending, and the heroine left the key to the The male protagonist, whether he can save the female protagonist or not depends entirely on the male protagonist. Although there is no heroine II, the heroine will not be free, but the psychology of revenge and the sense of loss of being abandoned still fail to overcome the good side. For the heroine who has regained her freedom, the lost love has lost its original enthusiasm, and there is no need to recover it.
The application of the mirror in this film is also wonderful. The two-line narrative and the two sides of human nature are wonderfully given to both sides of the mirror, and the dark side of human nature is vividly displayed. And captivity, but also the captivity and freedom of the mind.
In fact, this film and the third episode of "Black Mirror" also express the confusion of a modern person, the excessive pursuit of people and things that he cannot control, the extreme distrust and inner dark side of modern people.
The screenwriter's two-line narrative also maximizes the tension of the story. The first half looks like a horror movie, and the second half looks like a decryption, so that all the mysteries have been reasonably explained. This technique reminds me of another Spanish horror thriller, The Skin of My Dwelling. It seems that Spanish thrillers are really good at this narrative technique. (Reminder, the latter part is quite heavy, so don’t be curious about it.
The performances of several actors are still wonderful, much better than the general thriller romance films that are quite satisfactory. Especially the despair of the heroine being imprisoned in the hut, the new life who has regained freedom, the one-man show and the eye-catching scene are very attractive (the person is beautiful and has good acting skills, which is really rare). However, for the role she plays, it can only be said that the blame is self-inflicted. Poor people must have hateful things. If they want to try and control everything, they are just cocooning themselves. Only spiritual communication is a reliable way to solve the problem. Similarly, the second heroine is not a good thing. I think that if you trap the heroine, you can get the male lead. Unfortunately, such a high IQ is inevitably lack of emotional intelligence, perhaps because of the selfishness of love. (As for whether she can escape from the cell in the end, I believe that the policeman who loves him should be able to help her.) As for the male protagonist, although he is also a man, he still expresses incomprehension about his amorous ambiguity. There is already such a perfect family at home. A sweet wife, she is still so vain, and those who do not know how to cherish will also not be cherished by others.
As for the picture and music, there is nothing to choose from, they are in place, the creation of horror and the warmth of love are just right, the ups and downs of the symphony are also well integrated with the story, the male protagonist's career setting is worth it Learn from.
In the end, I couldn't help but complain, either the male lead's IQ is too problematic or the female lead II's IQ is too high, the same prompt, why is the difference so big. . Well, I admit, a woman's sixth sense is still very accurate~
Score: 7.9
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