In fact, at the beginning, I watched an 8-minute micro-movie about the predecessor of this film a few years ago. At that time, I was attracted by the brief but profound content. Now, I will briefly talk about my feelings after watching this film today. In fact, this film is because of love, and it is also because of love. The beginning is that the family is very harmonious together, although facing a food crisis, but the husband quickly solved the problem very well. Then his wife Xiaolan felt that Andy lacked a razor, so she was suspected of coming to the sinking ship. There was no suspense. She was infected. After that, she embarked on the road to find a hospital to treat Xiaolan. Obviously, his life should not last 30 minutes under the screenwriter's pen. In order to survive the husband and the newborn baby, he chose to "self-solve" after hitting a tree. In fact, the director also deliberately avoided it. This cruel scene of self-solving is followed by the father taking the child on the road to save the child, the pain of losing a loved one, the disappointment at the annihilation of humanity, the despair when they meet the riverside family and then they are infected, and halfway through. 5 times the whole body was out of control due to infection, but failed to crush this strong and great father. In this show segment, the picture has always been wide, and the tone and music are more tender. In fact, watching this kind of film before will make me feel depressed, but the director of this film made a lot of use of wide desert and land to reduce this feeling of depression, but anyway, it added more desolation, probably because he wanted to better fit this film The subject, the hopeless situation in which there is no hope in the heart. The last handling technique can evoke the memory of the predecessor's micro-movie. The father asked the newly added character, the little boy, to hold the meat in front of him, so he followed the taste of the meat and carried the two children on his back. The infinite hope of carrying forward. However, there are no more new ideas and changes in the content of the screen processed with "Train to Busan", excluding the screenwriter and director chicken legs.
But what I have to like for this film is that the emotional handling is in place. The greatness of a father's love is not that he has to save the earth and make selfless devotion... In fact, he can be selfish, (at one point he said, "No, I just want to get my daughter back.” At that moment, maybe he really didn’t think about the girl who was seized by Walker, but later the existence of human nature told him that he should save the girl) but even though he is like this, in the end we still feel that he is a A great father, thank you for everything he does for his children. For this full of fatherly love, 5 points, not afraid of your pride. Although there are still some flaws in the film, such as: it is obvious that the cage that let Andy and the others escape is a bug, the screenwriter's color for Andy's character is too strong, and secondly, it is still a little procrastination, and then the director is very artificial A lot of obstacles have been set up for him, but these obstacles can actually be solved in one go by Andy in advance. It is estimated that he wants to fill the time. After all, the plot is relatively simple, and it depends on how to fill it to maximize the effect of the content. . In other words, after watching this film, I really feel that the cry of a child is more terrifying than the coming of monsters and zombies, and it can scare the audience half to death as soon as it makes a sound.
Finally, I have a question, how did the old man get out of the cage, is it also like Andy and the others?
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