At first you will think it is the Vatican's House of Cards, then you will find that this is actually the story of the religious leader Steve Jobs performing miracles, and finally you will find that it is actually the history of Ikari Shinji's growth in middle school. . . .
The anti-routine plot of the skeletal and strange, you absolutely can't predict what Qiu Hua will say in the next second.
I began to like Sorrentino as a director. I used to think that his pictures were beautiful but the content was too stream of consciousness. Now I think that compared to the countless directors who have more form than content today (such as a Greek who I hacked a long time ago who was nominated for an Oscar for original screenplay==), his film ideas can be said to be profound and new.
The young Pope did not try to cater to the times, to the white left, and to reconcile the contradictions between religion and various things. The history of the development of Christianity is to make God more and more "reachable" from the mysterious and unreachable to the later, and the Pope wants to return to the mysterious and unreachable, and return to the high walls built by the church; in this all In a time when people are trying to reconcile the various opinions of various forces, and the Pope chooses to "keep it out" - people with different opinions, mediocre ungodly people, the Pope does not bother to argue with you-- ----There is no need to step into the Vatican at all, here is the enchantment that should be shrouded in faith. The Pope is not a politician, nor is he a mascot, but he should be a man of absolutely pure and absolutely firm faith.
What's even more amazing is that this is indeed a drama that will make you "firm in your faith" after watching it: people who are originally religious are more firm in their faith, and those who are not believed are also more firm and unbelieving.
And the soundtrack is super godlike, from punk to popular religious music for a while. . . .
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