The visual story of "Emma" in terms of social distancing

Ethyl 2022-09-27 04:52:52

Excellent and wealthy girls are always prone to fall into a situation of arrogance and self-confidence. Until they realize that they have made mistakes and hurt others, they will regret and be ashamed, and take the responsibility to take the initiative to repair. A true female state, a quintessential Jane Austen story. The female protagonist thinks she is a matchmaker. What she sees is the quality of girls, but boys pay more attention to the wealth, status and knowledge of women. Luckily, the hero and heroine found love that is not limited by these limitations. Many familiar faces and fear of getting sick add to the funny points of the movie.

The day before yesterday, I saw "social distance [intimate distance (less than 45 cm), personal distance (45 cm ~ 120 cm), social distance (1.2 m ~ 3.6 m), public distance (3.6 m ~ 7.5 m) Rice ")], just borrowed this movie to watch it. The director is good at using the third person, seat, door, and sense of space to express the relationship between characters and the stability of the situation.

Emma is reluctant to have the housekeeper get married and leave, and then they will be very close to each other but can't see each other (like two ends of a door)
Emma and Harriet have similar positions, the male protagonist smiles and doesn't speak
The more they quarreled, the more intense, but the distance was getting closer and closer, leaving an impression of "closeness" to the audience through body language
After the dispute, the male protagonist took the initiative to show his love, the atmosphere returned to peace, and the third person (baby) was used to maintain the peace of the atmosphere
After rejecting the marriage proposal, Harriet looked at the radish reluctantly
Across the cabinet, the injured radish also restrained his emotions (sense of space + ambiguity)
At the beginning of the comparison, Emma and her father sat on the side, but at this time, the two faced each other face to face, with their heads stretched farther than their bodies, there must be no good words.

Emma's white eyes, very vivid

After a dance, the distance between the two was shortened, and their hands were pasted unknowingly (ambiguously confirmed)
After the dance, the two wanted to find out their thoughts, but they didn't speak through the carriage door.
The intimate distance at the dance - the private distance on the carriage - at this moment, both of them are chasing each other, and their emotions have reached a climax, but their footsteps stopped at a private distance because of uncertainty. Social distancing was later restored
The male and female protagonists are ambiguous and misunderstood. They want to get closer to each other but there is a person in the middle (that is, the misunderstanding itself Harriet)
Emma realized her fault and cried with shame. The only thing her father could do was sit and accompany her and not hug her.
The three have their own minds, the book is just a disguise

View more about Emma. reviews

Extended Reading

Emma. quotes

  • Miss Bates: Oh, oh Mother, do you hear? MISS WOODHOUSE HAS INVITED US TO HARTFIELD!

  • Emma Woodhouse: We are both prejudiced. You against, I for him and we shall have no chance of agreeing until he is really here.

    Mr. Knightley: Prejudiced? I'm not prejudiced!

    Emma Woodhouse: Yes, but I am. Very much, and without at all being ashamed of it. My love for Mr. and Mrs. Weston gives me a decided prejudice in his favor.