Seeing and being seen do determine the dominant position of women. Many visual languages also break through the male perspective, such as the appearance of Tintin, the dominant position in sex, and the silence full of resistance... I think the heroine has never loved a person before jumping into the sea. She has always loved the piano. All people who seem to have loved the piano are an accessory to the love of the piano (strokes the keys & husband's technique is the same). She didn't feel her instinct that had been suppressed for a long time until she jumped into the sea. The performance is great, but it is as uncomfortable as the rhythm. The daughter's "betrayal" of adapting to her new father made her a cause of sin at first, but it eventually became a cause of happiness.
This film has nothing to do with love, or the love in the film is insignificant. What impressed me was a woman’s fascination with the piano and her desire for the flesh. Holly Hunter only used her body language to portray the character’s mood. Elegant, delicate, forbearing, persistent, arrogant, and selfish, her performances are outstanding in all aspects. They are undoubtedly the soul of the whole film. Photography and soundtrack give it a poetic flavor. The only flaw is narrative.
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The Piano reviews
