Unlike Cappadocia's vast and eye-catching, the romance of the Turkish coast pierces the soul. The sun in the Mediterranean Sea sparkles in the bay, the weeds on the eroded cliffs drown the hearts of flowers, the wooden houses on the hills enjoy the sea view, the shepherds enjoy the breeze, and they forget their love in the idyllic pastoral... Drifting, why don't I want to go to the land of the land and enter the poetic dreamland. Heidi's red schoolbag and army green coat broke the tranquility of everything, and the black and white reversed under the fingers of power sadly happened. Memo is a pure good guy from start to finish, but also the bullseye of all contradictions. He used the purest tenderness to deal with all the ruthlessness and injustice that came to him. It's not that he is too stupid, but he always pretends to be affectionate to his daughter Owa. He used his soul to infect the people inside and outside the painting, and used his personality to show what it means to "every man has a princess in his heart". He used ignorant kindness to wash the souls of those in and out of the prison, let the blank space in the hearts of the inmates continue to erode the black, and strengthened the prison director's belief in justice. Finally, with the help of everyone, he was able to complete his promise to his daughter. oath. The exaggerated love and pity are not deliberately sensational, pulling the audience's tender heart. When the father and daughter call out affectionately across the high wall, when the father and daughter embrace each other in prison, a touch from the country of stars and moon is enough to arouse the audience's empathy. The dramatic plot and the happy ending make the whole film full of warmth. Even if you haven't seen the original Korean version, you can generally understand the director's different understanding of the story of Room 7. It is probably a "story" for the sake of making fairy tales. I have a superficial feeling that there are indeed flaws in the plot. Whether it is the connection or the reversal, it is a little rough and a little abrupt. I have to mention that Tuban No. 7 has implemented the concept of "based on practice" quite well. The localized set presents a strong Asian Minor style: carpets, hu smoke, Allah and the tuqin... The constant chanting of the "Koran" by the believers makes me misunderstand the piety of the people of Islamic countries for their faith and the freedom of life and death and indifferent. In addition to the plot, I would like to praise the repeated close-up of the characters in the film. Owa's twinkling blue eyes, Aszozo's stern eyes, and the kind eyes of grandma... let the emotions that the movie wants to express overflow the screen, and constantly beg for tissues in the hands of the audience. A very good cry movie, a moving from the country of stars and moon. Finally, I would like to thank the Jianghu Film Group for the movie tickets.
"The Gift of Room 7", the friendship in Room 8 "walking the rivers and lakes, watching the movie and watching the heart", we will meet again next time!
#江湖影团##The gift in Room 7 is too good to cry#
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