It should be the first time I came into contact with Turkish films, and the commercial quality and artistic level far exceeded expectations. A story with strong dramatic tension. The first half of the show is also very publicized, so that the audience's anger and grievance can accumulate to the maximum. It would be nice if the motivating event could be restrained a little more. I don't like the most dramatic time. Give the heaviest. After half the time, the emotions gradually calmed down, and the characters gradually became three-dimensional. They were no longer coerced by strong emotions, and there was space to think about the medium of expression and the story itself. From a personal aesthetic point of view, the music is too full, and the perceptual judgment is almost not calm for more than five minutes of passages, and it is still too sensational (especially when the above-mentioned incident happened). The part that likes the old man Yusuf the most, the shadow of the tree, the mottled wall and his somewhat mysterious life experience, give another layer of compassion to the main story. The branch line of deserters is of great significance in the creation of narrative suspense and the richness of structure. At the end, the little tricks in the narrative are very clever, "playing" the audience with emotional ups and downs, keeping the suspense to the end. The local religious and political environment is an inseparable part of the film. I haven’t seen the original Korean version, so I can almost believe that this story grew out of Turkey. The male protagonist's performance is real and natural, without exaggeration and embarrassment. I can't believe that he is a 90-year-old little brother who has not been kidnapped by his handsomeness. Thank you [Luyu Film Group] for giving me the opportunity to watch the film!
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