In the Turkish version of "The Gift of Room 7", the broken glass will sparkle, and the clarity of crystal is the goodness of the soul.
1. The beauty of localization should be cherished.
I skipped the Korean version of "The Gift of Room 7" and watched the Turkish version directly. I knew it was a remake of the movie, but without the comparison, the idea felt simpler. Facing the Turkish version of "The Gift of Room No. 7," it can be said that I was very moved. The whole film makes people cry when they are sad and shed tears when they are moved. As an audience, after working hard for more than two hours, they can cry for an hour and a half. This has completed the whole film's immersive process, which is a very perfect result. Although there is an excellent Korean version first, the Turkish version is obviously not inferior. Against the background of beautiful Turkey, the local customs, colors, and sense of society in the picture show the regional characteristics very wonderfully.
The background of society and the times has given great impetus to the storyline of the film. In the game of money and power status, every environment has its own common characteristics. Such backgrounds are not only different in countries and regions, but are actually different in terms of emotions and events. Not unfamiliar. What happened in Turkey could happen anywhere on the planet. In the advancement of social civilization, the evolution and use of human smart brains have become particularly capable, and no one will suffer. Everyone wants to be a winner in life, but the way to win is different, in fact, the same result.
Due to the national and social characteristics of Turkey, the promotion and gradual progress of the film make people trapped step by step. Every rhythm employs the local thinking mode, attitude, customs, and conflicting desires, giving the so-called Turkish version of the film its own flavor. It must be changed as a remake. The warmth of the Turkish version runs through the whole film and can be seen almost everywhere. The deep affection of the characters is used in almost every bit, without letting the foreshadowing slide. The language, movements, and eyes are all integrated into this affectionate expression, so the appeal is also very strong, and even the film still has many delicate details. The setting reveals the effect of comedy, and this integration also brings a dynamic atmosphere to the film. It is not dull or rigid. Although it is sensational, it does not deliberately fail to sell miserably, and it is somewhat cute. It's really good looking, and I really want to recommend it.
2. There are always people who want to say goodbye and leave with sadness.
If you don't know who to sort out first, let's talk about Grandma. Because of language barriers and translation ambiguity, I'm still not sure whether this great-grandma is the mother or grandmother of father Memo.My IQ doesn't keep up with this. But it doesn't matter anymore. The role of the great grandmother is said to be unique to the Turkish version, but it is obviously indispensable in this film. She has helped the father and daughter grow, understand and protect each other by accompanying and linking the previous and the next. Although they are related by blood and are relatives, they can clearly understand the truth and push people forward. It is the people who understand the world like this. The world is warmer.
It was the grandmother who told the child, Owa, that her father was different, different from everyone else, because he had the same age mentality as hers. After being informed by the great grandmother, Owa looked at her father with beautiful and affectionate eyes and was willing to love and understand. This is the beauty that has been planted in a child's heart; the seed will grow and become brilliant and beautiful.
In this film of mine, although I love my grandmother very much, it is obvious that the supporting role is sometimes the meaning of a tool person, so the grandmother passed away sadly at the end, and there were no relatives by her side until the last moment. I'm a little bit worried about the setting of the movie. Because Owa went to find her father and the great-grandmother stayed at home alone in such an environment, how did she know that she was not angry because she had received a note that Owa had left home? At first, I thought that her physical reaction was a stroke, and I expected to hold on to it for a while, but the old man fell directly.
I don’t know if Owa will feel remorse when recalling this one day when she grows up. She didn’t take good care of the old man, and she didn’t stay by his side at the last moment. Maybe she caused the old man’s death. However, it seems that the movie does not intend to seriously discuss this issue, as the great-grandma disappears directly from the plot as a tool person. In order to make everything more miserable, the father and daughter are more dependent on each other, and the screenwriter also worked hard. I'm very unhappy with this plot, but people who don't have the aura of the protagonist are sometimes destined to be sacrificed.
3. That is the light of prayer in life.
The little girl, Ova, as the absolute protagonist, leads the beginning and end of this film, but I personally feel that the setting of the beginning and end is the weakest part of the expression. Although the places that should be echoed have also kept up, the expressions of the pictures and narratives are the weakest. It's a real contrast to the ups and downs of life in between. Perhaps the best part is that in the warm and peaceful life of the moment, in contrast to the turbulent childhood stories of life, everything she has gained is so precious and not easy. The comparison is straightforward. I have no particular love for this child, but her simplicity and beauty are shocking. The way people follow their own hearts is the most straightforward. It beautifully expresses hope and a mood. Although the future is unknown, it is touching.
The little girl used a few points to complete her own excellent expression. One is that when her father was beaten, she desperately rushed forward to protect him. The body that was supposed to be used for protection became an umbrella trying to shield him from the wind and rain. Since my father is of the same age and mentality as myself, we must bravely stand by his side. Being the best child is not always cherished, but how to cherish parents The second is that when she meets a deserter who sees the truth, she tries her best to wait and find that person. She wants someone to tell the truth to her father. Although the child does not understand the stakes, she is obsessed. She knows to trust her father and do what she has to do for a trusted father. That day, after a day of waiting, especially in the cold, The little girl is the highlight of the whole story, but she is not used to represent the meaning of the whole story. She is like a beacon that will shine, using her own language and colors to tell the world that a beautiful appearance should be I want to protect this beauty well when people are intoxicated. I hope she can thrive.
4. All the flavors in the world have their own meaning.
The protagonist relies on acting skills, and the supporting roles rely on character design. Every character in the Turkish version of "The Gift of Room No. 7" has an incomparably vivid meaning, expressing their unique taste without leaving any regrets, which makes the film's rich and varied tune. With a touch of religion, the story of human nature seems more tender and more evidence-based, but it is not the only clue. After all, everyone has their own uniqueness, and in this film, they all show different effects.
Some people use it to care, some people use it to understand, some people use it to talk, and some people use it to save lives. Even at the beginning of the film, the inmate who was imprisoned with his father, Memo, seemed unremarkable. Later, he was imprisoned because of the assassination of others. However, during the time they were imprisoned together, those people, those hands, once supported Memo's beaten body, once gently patted his back, once helped him carry all kinds of clothes, once made his bed gently and sent him to sleep. When people's eyes are interested in this character in the subsequent fights, as a tool to assassinate others and help Memo to let go of others, the sadness in my heart is that he used to be really, really kind to this only six-year-old man.
When everyone spurned and hurt Memo, this man once stood by his side and gave him support. I know that the plot of such a film is actually nothing, and I also know that he has no idea what kind of attitude he has in the film. Maybe he just forbears what he did without making a sound, but he could have done it otherwise. He can be more clear about doing his own duty. As for Memo, who was imprisoned with him, what does it have to do with him? He can just finish his own affairs without caring, but he gently supports him. When I was in Memo, I felt so moved.
There is also a life-for-life in the film, which is actually quite harmonious in the Turkish version. The great highlights after the localization of the movie are the shocking cooperation at the end of the movie and the game of the civet cat changing the prince. In the Korean version, I always feel that the follow-up needs to be explained infinitely, but in the Turkish version, there is a special tonality. The infection of religion, the pursuit of human nature, the greatness in the absurd, the great goodness that gathers the small goodness of everyone's efforts; in terms of society, the Korean style is more rational. Such a sensational mode of action is probably very difficult to achieve, but there is an incredibly great dedication and a particularly persistent sense of redemption among the Turkish people, which is probably what makes this film extremely infectious. There are also beautiful female teachers, wardens, and captains, all of whom contributed their kindness to the beauty of this story.
5. You know, love is instinct.
My father's love is like a mountain. Although my father does not have the majestic momentum of a mountain, when his heart is strong, he will do everything he can. This father has made a heartfelt sacrifice. When I thought he was going to be a fool to the end, at the end of this film, he looked at the gallows and said he didn't want to be hanged, and the moment was suddenly painful. Facing his daughter, he said that he would be with her forever, while glimpses of the cruelty of the gallows reminded him of the future that would eventually end. He understood in his heart. Yes, he understood everything.
For my father, what touched me the most was the scene when he returned home after being beaten. After her daughter Owa told the grandmother about her father's beating, she turned her head and entered the house. The grandmother came to her father's side and comforted the poor child who was beaten, but what about Memo?, he raised his head and asked. The question is whether Ova will no longer be happy. His pain is not the marks of injury on his body, but the smile of his beloved daughter. It will bloom again. That expression, that action, that scene, is the best actor-level performance in my heart.
6. Haihai's short life
Human life is not easy. Live in this world with a smart head, and win or lose with more and smarter heads. In fact, in a person's life, everything that life does not bring to death, it does not bring with him. When you are alive, you are happy and healthy, and it is enough to understand yourself and make it easy. The future is unpredictable because the future is unreliable. The time that we really expected is too short. After decades, who really thinks that they will last forever?
When I watched the movie with great pain and sadness, I began to recognize one thing over and over again: what is a person living for in this life? There is one thing in "Xi Bao" that is very straightforward. After a person dies, how to evaluate this person and how to annotate this person on the tombstone are all other people's business. Life is gone, and any perception is nothingness. Now, whether the rest is happy or not, glorious or not, that is left to the living people. It has nothing to do with the one lying in the loess.
When we are awake, we will give ourselves all kinds of rules, and we are unwilling to live a quiet life. We are not reconciled. We have a little bit of wisdom and always want to know how many people in this world can see this kind of wisdom and recognize it. In fact, what is the difference between a six-year-old IQ and a fifty-six-year-old IQ, except for the user experience of being born as a human being? I'm never pessimistic; I'm just telling the truth every now and then, and never mind.
In fact, there is no film review, just an essay, writing and writing and digressing again. But I think I really like this movie, not because it's the one I cried the most recently, but because every link is deeply immersing, and the emotions follow it for so long, I think I will remember it for a long time. Or, inequality and harm will never disappear, but knowing that the world will occasionally let go of it gently is also a moving relief. I don't want to see the cruelty of the world, but I can't bear the tenderness of this world even more.
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