Jonas 2022-04-21 09:02:51
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Rosalind 2022-01-07 15:52:49
Regarding the boredom and desires of the middle class, the adaptation of turning stones into gold, memories and dreams interspersed with reality, everything seems to be justified and illusory. The ringtone symbolizes the call of desire. In the end, it did not disappear, but became stronger. The sad ending is real. Buñuel, who uses metaphors well, has already put a wheelchair on the street and prepared it.
Sarina 2022-03-24 09:02:44
Extradition from the reality to the poetry of desire in the past, constantly pushing the characters to the peak of textual contradictions with interspersed dreams (imagination) (from the perspective of images, it is a spatial dislocation that is drowned only by self-indulgence), the nihilistic attitude of the middle class is a deep footnote, male Become a symbolic foil, so far, women have jumped out of the inertial concept as a free person, traversing different chapters, without showing the mountains and dew, but let the audience get wet, and the luck is born only because of being in this mountain.
Séverine Serizy: I can't understand women like that.
Henri Husson: It's the oldest profession in the world. It's mostly arranged by phone now, but the women in those houses are a special breed.
Séverine Serizy: I'm sure you know them well.
Henri Husson: Yes, I used to go a lot. I enjoyed it. There's a very special atmosphere. The women are complete slaves. I remember a few around the Opéra. Especially one run by Anaïs. 11 cité Jean de Saumur. I have marvelous memories.
Madame Anais: You're nice and fresh. Just what they like here. I know it's hard at first, but who doesn't need money now and then? We'll split it fifty-fifty. I have my expenses.
Séverine Serizy: Thank you very much, but I must be going.
Madame Anais: Come on. You're just a bit nervous. I bet it's the first time you've worked. It's not really so awful.
