The Grudge is a violence-themed movie. Why do the parents of the elderly daughter in the family ignore their children? Because Gaya is a girl, and her parents want her to be a plaything like Gayageum, will Gaya accept it? Gaya was silent and did not please her parents, so her parents ignored her, and the question seemed unanswered. Silence is a precursor to a storm. Cold violence against children led to cold violence at school, which turned love into resentment. At first, Jia Ye wanted to kill Xiao Lin, but later he did kill Xiao Lin. At this time, Jia Ye’s heart was already cold. Violence killed him, and the result of compromise and submission was that he was possessed by Gang Xiong and gave birth to Jun Xiong. However, Gang Xiong was unable to give birth, and Jia Ye did not have any relationship with Xiao Lin. How did Jun Xiong come from? There seems to be a logical break here. In the sequel, Junxiong should have died long ago, but he is still regarded as a child by living people, which shows that the appearance of Junxiong is a turning point. Gaya also said that Junxiong was his own child. Seeing that even if he got married, Gaya was not relieved. Junxiong was also a symbol of Gaya's desire to be a man, and in the end he was indeed as brutal as a man. Anyone who understands the mosquito in Button Finkel can probably understand that the world view of the film has been twisted and crazy due to violence. Gangxiong cares about whether Junxiong is his own, and Gaya claimed that it belongs to him alone. Showing a sense of possessiveness, Junxiong's existence is both real and illusory. Gangxiong, as a man, thinks he deserves a child, and Gaya also creates a child, and Junxiong's image is a naked, uncivilized gloomy boy mixed with Gaya's expectations for himself. This can be seen as a product of conscious compromise. The worldview of this story is a twisted world dominated by violence. The revelation of the sterilization of Gang Xiong, a symbol of male power, led to the occurrence of hot violence. He hardly needed confirmation and could not tolerate it. It was presumed and extremely selfish. Women and children, as weak, were always hurt, including Xiao Lin’s wife and belly. The fetus in the fetus, this is "real", the violence that male rights take for granted. And the image of Jia Ye is that her hair is disheveled and her face is covered in blood. She killed Gang Xiong and Xiao Lin and left her fingerprints, so is she a ghost? This question appears to be less realistic and less reasonable in the real world. Whoever masters the violence is the real one! This is the setting of the violent worldview. The design of Gangxiong to be sterile is also a curse on cruel and selfish male power. As for everyone who enters the house, they are cursed. I think the house is a symbol. Gaya’s childhood and death are all in the house, and the body is hidden in the house. on the ceiling. If the room is compared to the human body, then the ceiling is the brain. We have seen a classic scene of people who go crazy in martial arts novels, that is, the brain is red and hot. This means that the curse is in the human brain, and the body of the person entering the room Left, but the memory of the house remains in the mind, infected with murderous and resentful, and the narrow selfish nature of violence will kill and infect innocent people without hesitation, just like a zombie virus, the difference is Zombies are fake, violence is real. We want to see the end of violence in innocent children like Junxiong. Junxiong's image is characterized by being naked and uncivilized, but children are more easily infected by violence. Violence is terrifying, and hope is dashed even more terrifying.
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Ju-on: The Grudge reviews