At the beginning, look straight into the camera and speak stuttering, then keep retreating and retreating to the dark part of the forest, you can get a stream of consciousness in a movie, but you can't do this when you are shooting. I was lucky, so the movie is really an elegant and vulgar thing, because people's habits will not change, so it is acceptable to show the past appearance in the future time and space, doing things in the future or things in the past and present. Time and space confusion Together, scattered pieces, wandering around the world, roadside picnics are inspired by this, there is no one master in China who is returning to the essence, and the stream of consciousness that is unpredictable when narrating in a down-to-earth and sincere way, in the end, it is all what you want to express. The mirror is looking at yourself, and when you look at yourself, it will always go straight to your own mother. What a mother said to her husband is like what a mother said to a child. The husband is the child, and the mother is the husband's mother. A time-space connection Tarkovsky is actually used to There are new things in the picture when you shake it in the past, and there are new things in the picture, and the fixed characters in the picture are drawn from far away and into the picture near the picture, all of which are reasonable arrangements of images, shake the past and shake it back to add new things, and the weak part in the middle of the picture is omitted. It looks very interesting. I rely on it. How did the bird flying hat realize that the hot stamp on the quilt on the table gradually shrinks. Kubrick gave me the openness of reason and thinking, and Tarkovsky gave me the meaning of video and film. Be open, don’t be afraid, you want to shoot how you want, remove those procedural things, the plot changes are very abrupt, you can’t watch it with normal feature film logic, it’s not a stream of consciousness, it’s a whim, no panorama, it’s hard to understand the location Is there a possibility for the relationship, use the dish to follow, don't push the scene tightly, the characters are walking, look at the effect, what a trough, after the phone call, the part is running in the woods, the car is shot at a higher angle, and the telephoto is pushed up. It's so beautiful, it's not like the Steadicam's shampoo. The top of the wall falls. Sadako, Shutdown Island, Nolan's gust of green is so beautiful. Why do you need to slide and zoom when you push the camera forward? What is the effect and when? Shoot a stream of consciousness video. Try the microphone on the wall during the treatment phase.
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