Planting a latent inner past...

Mae 2022-03-25 09:01:14

This is a victory for the director Mundruczó Kornél. A family drama was promoted by his schedule to be an artistic human observation. The drama does not prevent the director from filming the complexity of the characters, and the film festival owes him a director's trophy. The director's imagination and control are very strong. "White God" made me see a group of dogs running madly. This time it is a new level. Several indoor stage plays in the film (the long shots are very long!) can be called contemporary cinéma. vérité. The story is bloody, but the heroine has a lot of room for performance, because the accident caused physical and psychological changes, which gave the actors a very solid creative foundation, and at least half of the credit for the actress is the director. The front and back lineup is very strong, the music Howard Shore, the producer Scorsese, the Oscar winner Ellen Burstyn are old and strong, Shia LaBeouf is finally normal, thank you director. Benny Safdie's "Good Times" did a good job, an actor who was delayed by the director's work.

Monroe 2022-03-27 09:01:13

The title of the movie makes it easy to think that it is a story of female indictment, but it is not. She has a strong and radiant image. The film opens with a short male protagonist, followed by a long and wonderful childbirth scene, setting a benchmark angle: Can others really empathize with a woman's state of mind? Then the story depicts two pairs of novel-style relationships: 1. The husband naturally cannot experience the pain of childbirth, but he collapses very much, echoing the opening paragraph. For him, this collapse may come from the face of his colleagues, otherwise why would he not go to work? What; 2. The strong mother has loved face all her life and is facing senile amnesia, and she can still show her experience at birth in detail. The audience understands that no one really thinks from the point of view of the heroine, she must move towards self-rescue. This may be a perspective that only European intellectuals have, and that directors with vested interests in Hollywood do not have. It gives the American story played by this American actor a brilliance and warmth that is different from the American narrative. Hollywood needs more of these perspective rescues.