If this film is sought after in India as claimed, then at least we can see the true level and condition of Indian films.
Perhaps it is the cultivation of long-standing traditions and colonial civilizations, coupled with the nourishment of the Ganges River, Indian films have always been distinctive, and there are no shortage of excellent works - not only now, when I was a child, "Caravan" was all the rage. In the past two years, in the context of social transformation and cultural development, Indian films have produced a lot of good films, condensing their social transformation and vibrant characteristics of the times. However, to say that Indian films are invincible, these few good films may not represent them. After all, India produces 1,500 films every year, ranking first in the world.
The Indian characteristics of this film are very distinct. There are many singing and dancing, inspirational, national emotions, low-level perspectives, cultural conflicts, and happy reunion after tears. But it is not that these elements can be mixed together to make delicious curry rice, at least This film is too obvious in terms of conception, story and other aspects, and its expression is very immature. Working hard for a dream? At least we in China have passed the era of gold medal theory. Compared with the theme of "Knight" (the one filmed by Song Dandan's stepdaughter Zhao Ting) this year, "giving up dreams is much harder than chasing dreams", it seems aggressive. Paranoia, unlike the open-mindedness of a religious power, is a bit of a copy of the early Western utilitarianism. The contradictions and conflicts of the protagonists are also blunt, inexplicable feelings, and they will break up if they disagree. The 2-hour-long film is completely chaotic in rhythm and out of touch. In general, the film is like a propositional composition, the director is to stew various elements together, as for the logic, performance, and character design, it all depends on the director's own imagination.
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