I don't even want this to be a movie, a movie shouldn't be something that makes me nervously shiver like Gong Li's stubborn disease. Incest, conspiracy, jealousy, blood, empty palaces, the coming and going of puppet-like figures make people feel colder than no one - Wuji, the night banquet can be said to be ridiculous, but this time it's anger.
The fetal poison in the film is too obvious. It's like a bowl of medicine that has been fried in the history of China's inhumanity for thousands of years. I really want to ask: Who is the one who should quit? Not to mention whether the director is enjoying the corpse whipping, the thrill of car splitting, his enjoyment of the sense of ritual, and his attitude of indifference to all kinds of cruelty because of this enjoyment is unforgivable. That terrifying child is already a desecration of Thunderstorm, but even more terrifying is that golden belt, into which century has the wheel of the world rolled? Suddenly I couldn't believe my eyes - a scene like this passed the censorship and made it onto the screen with dignity. Is this China to be seen by the world? Never before has a film disappointed me so much. Warmth is of course not the standard for measuring movies, but evil for evil, or evil for no reason, or just as the director will naturally defend himself in the face of questioning, by showing the repression of human nature to evoke the awakening of the spirit of liberation, But "the city is full of golden armor" is a poem praising freedom? What I saw was clearly just the infinite yearning for "after my flowers bloom, a hundred flowers will kill". Where is the awakening? There are only animal instincts, instinctive desires and hatreds, is love expressed in extremes and death? Human rationality may have always been absent in the past, but today China's most "famous" director allows animality The evil swells on the screen, and it even looks more like a drug addict who doesn't know how to control himself and control a film. In this way, they keep saying that they are hurt by memories, but they can't help but show their infatuation with that kind of madness in the film. It was mind blowing.
They all act so well, is it because we are all too familiar with this evil. I only know that I still miss the fat brother who said that my soul will guard by your side, where there is confusion and sadness of lost China, but more faith, hope, love, dreams of youth, innocence of middle age, like flying sky The same gorgeous and endless wonderful imagination and creation, that is the China I miss.
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