Let’s talk about the unsatisfactory first. I think the biggest flaw of the film is that the director may be too in awe of Fellini’s name and dare not make a reasonable adaptation of this story 50 years ago. It's been 50 years, and since you've turned this lengthy feature film into a musical, why not be bolder? All the songs and dances in the film are jazz music from 50 years ago. Although all the music and songs and dances fit the plot, when they hear the third and fourth songs, I am afraid that except for a few diehard jazz fans, most of the audience will play. Yawn. Why not add a modern twist? Especially the part of Kate Hudson, there was no such a character in the original work. Since you can add it and design such a dazzling dance for her, why can't you let go of the music?
Conservative music design aside, the film's choreography definitely gets a 9, even better than Rob. Marshall's famous work "Chicago" is even more fascinating, it is estimated that Katherine. Zeta-Jones watched the final work and regretted quitting the set and losing part of being such a dazzling scene. Especially Fenelope. Cruz and Kate. Hudson's two dances, one ambiguous and almost erotic, the other hot and directly provocative, I am afraid that most of the male audience will stare at this part.
Although the part introducing the plot interspersed in the singing and dancing is certainly not the climax of the film, it is also not new, especially Marion who has not been assigned many singing and dancing roles. Cotillard's performance is particularly outstanding. She plays Quido's wife, a woman who bears humiliation and burdens for love. She looks at Quito and flirts with so many women. The painful eyes, the rigid body, put this The film's most silent characters are the most profound and moving, even more memorable than the lead character, Daniel Day-Lewis.
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