Not as good as Chicago.
Chicago's songs and dances are based on the plot. Most of Jiu's songs and dances are the imagination and memories of the male protagonist. They are independent and have no real interaction with other characters. Jiuli didn't put much effort into choreography, and all his energy was spent on choreography and crowd tactics. In contrast, Chicago's choreography is much more interesting.
Chicago is about the successful whitewashing of vain female prisoners.
Nine is about the internal and external troubles of well-known directors.
Obviously, the story of female prisoners is more interesting.
Penelope didn't give me enough surprises, her face seemed to be rational, without the fascination of youth. The dance is not very professional, and the shape is weak.
The moment when the two women were injured was more dazzling.
PS: I really can’t understand the pressure of successful men, I only know that they are in the midst of blessings and do not know the blessings
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