I recently came into contact with a new term, Latin jazz. The song I listened to just happened to have a happy melancholy. There are a lot of hip pop jazz elements in Chaos Warriors, which sounds like a playful melancholy. Of course this is not the reason to support me watching the full episode. I like the moment when a knife cuts a person in two neatly, and there is no blood. This gives me an illusion of graceful destruction. In "Young Hannibal", the male protagonist kills in the woods, using a Japanese samurai sword, although the film tries to exaggerate Hannibal's simplicity in killing, and uses reason to trigger crazy perversions, but unfortunately there is no Japanese elegance Dreams of destruction, frightening in vain - I wrote in a poem "Be startled, and I'll be happy", and one more word is "Be startled, and I'll be happy." I'll be happy." This is all the impression that "Young Hannibal" gave me. The actions of the whole film "Chaos Warrior" run through the instinctive beauty of "survival". The male protagonist has no illusions or moves, only pure dodging, dodging, and slashing. The male protagonist is benevolent. Dodge and slash, so we must praise Shinichiro Watanabe's ability to understand the screen and his ability to dispatch when they draw their swords to kill. Without a strong understanding of samurai, we may not be able to distinguish what is and what kind of sword is drawn. what genre. Although I can't say the name, I can show the difference, which is very skilled. The main storyline is the heroine's journey to find the Sunflower Warrior, which is a journey to find her father. In the episode with the Dutch ambassador, I thought that the heroine's father would be a foreigner. This is where the three protagonists are always looking for one. Very vague, very unclear, the samurai with no concrete description from beginning to end, also corresponds to the title "Chaos Warrior", in the process of trying to extract the main idea, I encountered a vague but exact difficulty - why not Have a theme? Isn't it meaningful that it doesn't make sense? As a pessimist, after watching "Chaos Warriors", I can't become more pessimistic, nor can I become optimistic. It's like, you can take a big hammer and smash a lump of pork, but it doesn't necessarily feel good. You try to enter the context of the director, but his words have already been said, completely finished, there is no room, and there is no necessary room for insertion - this is also the difficult part of open-ended works. All open means no It’s okay to be closed, it doesn’t matter, or it may be my subjective problem – there is no individualism, everyone is similar, Baidu Baike said that the director also said something similar: “There is not much difference between people”. The director also said, "I want to create something that touches the essence of human beings." Let’s stop here for now, and agree with the director’s point of view that human beings have essence. Anyway, I have definitely seen the vague essence of no illusion, people, wind, and sunflower samurai through “Chaos Warriors”. Although I don't have the ability to describe what its essence is, I don't see it clearly, or I don't want to draw conclusions about it in ordinary words, so, all in all, I see it.
View more about Samurai Champloo reviews
