(Written all over the place)
I also had a threesome experience. At that time, I really wanted to experience the feeling of walking along the road, plus I wanted to play in Lhasa, so I set off. On the way I met two other partners, Ah Qiang and Ran (both pseudonyms). The young people had a lot of fun along the way, but when they got to Tibet, Ran left because foreigners were restricted from entering Tibet at that time. Ran went all the way south, through Yunnan to Southeast Asia. He told us to also go to Southeast Asia to play, drive motorcycles, and pick up girls, but we didn't go.
Travel has a purpose. The aimless rambling in Southeast Asia is worrying. Travel should also not be so obsessed with the destination, too fine travel will miss a lot of interesting things. "Chaos Warriors" is essentially a road movie. The three protagonists meet because of an event, where they go to accomplish something together, and the journey begins. At the end of the story, the event ended very quickly. It can be seen that the focus is not on the completion of this matter, but on the process of completing it, that is, the stories that happened on the road.
Travelers are moving, and they are always meeting new landscapes, because the landscape itself does not move. The trio marches all the way, first to Edo, then to Nagasaki, it doesn't really matter where they go, no one knows what the sunflower-flavored samurai is, you can let them go to Australia. The point is, fun things happen on the road. Different people, different lives, all in the distance. It is said that travel is to experience life, but it is not. Travelers always leave quickly. Travelers break into life and leave again. After living for a long time, it becomes as pale as water, because it is too familiar, and familiar things will not change.
When I was young, I always liked to look up at planes, wow planes. Now I will think, what about the plane, the plane is not going to go to the ground to refuel. The space station is also connected to Earth by an invisible umbilical cord because it needs supplies. The truly tragic journey is the Voyager, which is gone forever. This kind of rootless journey is very unbearable, and the one-way plan to go to Mars is now silent. People always need roots.
To give an example in the animation, when slaughtering the house scene, he was invincible all over the world, and finally he raised flowers in the shogunate. Growing flowers is a work of cultivating sentiments, and he lives quite freely. Ren asked him why he was so powerful that he wanted to be a lackey for the shogunate. Wow, there is no lord worthy of allegiance in this world. Comrade Jianshen said, rua, what do you know, I seem to be a lackey, but in fact, (I am a lackey, how come) I am using them. Why did he say that? After all, he was alone in his pursuit of defeat. People who have no pursuit in life become salted fish. Now I have a good job, raising flowers and killing people to pass the time is not a good thing. On the contrary, it is not the taste of Ren to live. He knew that he had been living a hard life all his life. He fell in love with a girl and let others become a monk. There was nothing he could do. Can't the two of them travel the world forever. Jen has never had a reason to swing his sword. As the saying goes, a passionate swordsman is ruthless with swords, and Ren is so handsome that no girl has ever embraced him except for occasional back pain. He is not a ruthless swordsman but also a headless fly. In the end, he found the person he wanted to protect and resorted to the most insidious move, click and get stabbed. To be honest, Mr. Sword God's sword skills are much higher than Ren, but isn't it? Apparently the root of the kernel appears to be relatively hard.
Again, no illusion, no illusion, no past, no future. He is not confused, has no brains, loves to play, and has been fooled by women many times, but he continues to be fooled. He is such an unreasonable character, but he arouses the love of the girls, and throws them into his arms one by one. After the three are separated, he should be the one who will not miss it the most. He is duckweed, born without roots. When the three of them gathered to tell secrets, Wuhuan's secrets were the least like secrets. He killed an old man, who was that old man? It doesn't matter, he killed too many people anyway. The important thing is that he has no past and does not think about the future. I was always hungry, I ate what I had, and ran away when I finished. Like Luffy in "One Piece", he has adventure and freedom in his mind. He is a man's dream.
Feng is a strong flat-chested little girl, but at fifteen years old, she should still be able to grow. Feng's feelings are very delicate, she observes carefully, and has principles in her life. The storyline is often driven by her. But she's a girl, I'm not a girl. She can open a harem, even if she doesn't try, Wuhuan won't agree. She knew too much, shattered the dream, and stopped writing about her. Who made them always meet after they separated at the fork in the road!
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