As a result, the scene of no illusions falling into the water in Chapter 14 was cited as a classic, and I wasted away when I was tired of distinguishing. Last night, I watched the chapter "Life and Death" in a row, and I was full of emotion. The benefits of the previous chapter were also "revolving lanterns" (sweat).
Many people are in the relationship of yy wind, benevolence, and no magic. Indeed, in the late-night scene of "Life and Death, One of them", the sobbing wind by the river, Ren who went to comfort him, and Wuhuan, who was lying dormant on the opposite side, indeed marked a fairly clear emotional mark. Especially the sincere and tempting sentence of Ren, "If, I..." can almost be literally translated as "If there is still a ticket, you are willing to go with me"; When blocking Jingshi said to Wuhuan, "The wind will be handed over to you", as if to explain the "I'm sorry" that Feng Zairen was crying in front of the chest the day before yesterday.
Even so, in the end, on the cross road in the sunflower field, looking at the clear sky, I didn't look back in the three directions, not a single tear was leaked, but just walked in opposite directions like a relieved burden, and all the YY instantly paled. Everything is just a journey that will eventually burn out, a companion that will be completed. Maybe they are connected with each other, but the next encounter is not important. They have been each other's most important companions, that's all.
"The Samurai of the Scent of Sunflowers". It was an unreasonable beginning--no one understood who he was, and an unreasonable ending--the wind saw the sunflower-smelling samurai talk with just one sentence, and he was beheaded by Jing Shi. This is also the whole absurd and light tone. The real beginning and end, however, is the revelation of the coin toss and the lies of the gambling—perhaps at the beginning of the journey, Feng secretly decided to tell them about his deception after seeing the Sunflower Samurai, and looked forward to it.
The end of the emotion, a small talk about technology.
Music is regarded as the biggest highlight of the film. However, the HIP-POP genre is not in my field, but I feel that the HIP-POP culture in the whole article is very eye-catching (love to see graffiti~~). Personally, what I think is very bright is the rhythm, the rhythm of editing, the rhythm of fighting, and the transition between relaxation and transition. The background music does not control the rhythm, but is embedded in it.
There is no need to say much about the style. Clear contours, bright colors, and a modern take on Ukiyo-e style.
As for the realism in the film, it is often startling. For example, the "embarrassed on all sides" who took great pains to save from a stroke, after saying goodbye, turned around and died under the knife of the officers and soldiers, with a heavy blow, as if Watanabe sneered, surprised, this is the reality. After that, when you are in a tough battle, you don't expect to see the unlimited rising combat power in "BLEACH", and you don't expect to rush back before the sunset to save Xiafeng and Ren (the marijuana that was burned all over the city). Rescue, great).
road film. The temptation is to be "on the road," that is, "elsewhere," without knowing where. No purpose, no rules of daily life, freedom, rebellion, confusion. Writing this, I really don't know what story "Chaos Warrior" tells, it's more like emphasizing a state of life.
PS: In the last episode, Ren Wholesale played with bare shoulders and was amazed! ! If you don't transition to the elderly, you are not sticking to the line of realism.
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